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"Soliloquy" is a collection of short stories published by Beauvoir in 1967. Among Beauvoir's published essays, novels, autobiographies and letters, it belongs to her later literary creation. The three short stories included all have women as the protagonists. Among them, "A Sensible Age" tells the story of a middle-aged professional woman's dissatisfaction with her son's marriage and career future; "Soliloquy" is the entire story of a single mother's ramblings, but underneath the nervous words is the pain of her little daughter's suicide; "The Exhausted Woman" uses the form of a diary to show the psychological journey of a housewife coping with her husband's extramarital affair. From this, Beauvoir depicts three women in crisis: one claims to be a good mother and tries to control everything; one is full of resentment and worry about her family and children; one is abandoned by her husband and has no idea what to do. The collection of novels has important sociological significance and is Beauvoir's reflection on women's fate and living conditions.

"The Guest" is Beauvoir's first novel. When Beauvoir felt helpless in literary creation, Sartre asked her why she didn't write herself into her works. So she was inspired to create "The Female Guest". In the novel, she writes not only about herself, but also about her lifelong partner Sartre, and their friend Olga. Once this book was published, it attracted widespread attention and comments, establishing Beauvoir's position in the French literary world. Beauvoir spent her whole life practicing the model of lovers described in it, and was criticized for it.

When "Should Sade Be Burned" was first published in France, it was titled "On Privilege", which included "Should Sade Be Burned" and "Merleau-Ponty and the Pseudo-Sartre Doctrine". It was later republished under the title "Should Sade Be Burned". Sade was an 18th-century French erotica writer, and the term Sadism comes from his name. Some people believe that he is a sexual evil, advocating the indulgence of instinct, and is unforgivable. Others see him as a warrior who encourages people to achieve complete liberation through the gratification of various forms of desire. His works were banned in France, and he was not rehabilitated until the beginning of the 20th century. He was a pioneer of "cursed writers". Beauvoir's angle is very special. Her book is called "Theory of Privilege". It starts from the privileged class's understanding of their situation, taking the old aristocracy as an example: the aristocrats defended their rights without considering the rationality of these rights. Sade was born into a noble family, but he had the courage to take on his own uniqueness and violate the moral standards followed by the nobles. In the most straightforward way, he demanded that his own pleasure be the law. Although he failed in the end, his flamboyant behavior revealed that the egoism of the privileged class could only be wishful thinking and could not give itself legitimacy in the eyes of everyone. The second article "Merleau-Ponty and the Pseudo-Sartre Doctrine" is also written from the perspective of the privileged class. In the French environment of the 1950s and 1960s, some intellectuals stood on the side of interests, tried to confuse the general interests with the interests of the bourgeoisie, and had a debate with Sartre. Beauvoir defended Sartre and wrote this article.

This book is Beauvoir's debut novel and is also regarded as an autobiographical documentary novel. Pierre and Françoise are a couple who invite young Xavier into their relationship. The elegant Françoise, the young Xavier, and Pierre, who loves these two women, try to establish a harmonious trio between the three. "Three people who try their best to love each other are more colorful..." But the trio evolved into a "love triangle", full of jealousy, and hidden suspicion and absurdity everywhere. Françoise, who had been tortured for defending Xavier, finally made a decision. Beauvoir spent her whole life practicing the model of lovers described in it, and was criticized for it. In this book, Beauvoir explores a philosophical dilemma that has troubled her since the 1920s: the opposition between self and other.

A mysterious immortal body has witnessed six hundred years of historical changes in Europe and the United States. It is a nightmare that will never end. Family, love, and friendship are all the ultimate nothingness. French existentialist leader, founder of the feminist movement, winner of the Goncourt Prize, author of "The Second Sex" representative work of Beauvoir: In the 19th century, Regina, a drama actress who was unwilling to be mediocre, accidentally picked up a man suspected of being mentally ill, Fosca, and unexpectedly learned that this man came from the 13th century and had an immortal body... Regina then longed to possess him and transform him to have eternal love. She abandoned her lovers and friends, gave up her career, and shared his life experience for him, but she finally realized that she was just like the other men and women in his life.