I started reading it several times and finally finished it. The setting of the heroine's life background is quite ups and downs. In order to make the heroine miserable, the motivation to create it is not only different from the original setting, but also a little illogical. But fortunately, this part is very simple, and the text is completely written in a daily assembly line. Probably because the progress is fast and there is less nonsense, I finished reading it without realizing it. The author is still awesome. But the emotional description in this article is really not moving at all. The love with Snape is better, but it was weird before the memory was restored. The family relationship with the two children and the friendship with Molly are really suspended in the former and boring in the latter. The two children hallucinate the genius baby in the popular running with a ball ten years ago. The biggest feature is that they are sensible, and the parent-child interaction is like a parenting show. This setting has a high lower limit and a lower upper limit, which will not make readers hate it or like it. The friendship with Molly is even more boring. Molly is a completely good person. They met through rescue and assistance in the early stage. The friendship is completely based on the heroine's gratitude and empty yearning. It is real but true and has no tension.
I watched it intermittently. It's interesting to see Penny as the heroine, but the problem also lies in Penny's character. Lily appeared in the early stage, and Petunia's character was quite vivid and understandable, and her relationship with Snape was also harmonious. When the adults first took over Harry, Petunia was still normal, physically mature but mentally still a child. It was fun to get along with the aunt and nephew, but there was too little written about it, which was a pity. . . Then, because Snape and Sirius fell out of control, he started to lose control of his emotions and went out of his mind. He performed a series of very difficult-to-evaluate operations and showed no growth. What was even more elusive was that he suddenly became normal after being robbed by Snape. . .
The heroine has a good character and the author's writing is not bad either. The emotional description of the heroine and Snape is touching and easy to read. There are two main reasons for dissatisfaction. One is that it is probably laziness. I don't want to set up the plot myself and just stick to the plot direction of the original work, causing the heroine's setting to be inconsistent with reality. The heroine Martha is obviously very powerful. She defeated a group of ordinary Death Eaters by herself. She was able to defeat Bella in a one-on-one fight. She fought back and forth with Voldemort, so she had to install a debuff that didn't want to kill people. After dozens of chapters, not only did she fail to hit the enemy forces, but she also lost many of her own troops. As a powerful heroine who was inserted in order to deeply participate in and change the plot, she has lost the meaning of her existence. With her, it would be the same without her. . . Secondly, the setting of "playing a big sword" as the selling point of the article is not reflected much in the article, and it still mainly relies on the magic wand, which is quite regrettable.
In all directions, there are four male protagonists, but the best-written one is undoubtedly Draco's, followed by Harry's. Ced and George didn't poke me at all. Some of the plots are so awkward that they make you laugh, but you can still read them after you calm down, and the overall readability is acceptable. In order to advance the emotional lines of the four people at the same time and maintain the moral character of the heroine, we can only design the heroine to be an emotional idiot who does not know what to express and is stupid, and it is a bit too much. The plot is occasionally annoying, but it is a common problem in buying stock stories, and I don't want to be harsh.
The character of the séance-type heroine is very pleasant, with a mature mind and high talent. The character of Sister Snape is not too dramatic. The plot development is concise and smooth, and it is easy to read. But after all, the perfect heroine lacks some emotional connection between the protagonist and the readers, so it can't touch me too much. In addition, based on experience, I thought that the plot of traveling to various places at the end would be awkward, but I didn't expect that it was actually written quite well. It is the best part of the emotional drama in this article.
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