Wherever there are living beings, there is a struggle between Tao and Tao. This is also the ultimate core theme of all martial arts and fairy tale narratives. The title "Lin Yuan Wen" was really well chosen, and until the end I still insisted that this was a story about asking. Likewise, I also think the beauty of this story lies in the arcs of different people's souls before a desperate situation.
Use shipbuilding as an analogy: There are three thousand avenues. Ye Min's path is to create the world ideally, and he wants to build a new ship; the Zongmen family is a vested interest in the old ship, and they are always vying to be the captain; the fates of Yang Xinwen and Chen Andao are closely intertwined from beginning to end, and their paths are different but similar. They both have to dismantle the ship and rebuild it; Zhuang Cai seeks truth and is committed to studying the principles of shipwrecks; Li Leng abides by the creed of the crew. , The great achievement of the skills they seek; Jiang Cuicui, Wei Sheng, Ye Chengmei, Bai Gui, Xu Lin and others are kind-hearted passengers on this ship, and they seek chivalry, please read my chivalry from the desperate situation; Li Zhengde is the most special ship plank on this old ship, and the whole meaning of existence is to wrap and protect - Ye Min wants to save everyone's soul, Chen Andao wants to protect one person's life, and the master just wants to protect his home.
Until now, I don't want to judge right or wrong. In short, there are all kinds of people, and every choice has its reasons. Every path is full of thorns. Where the path is, even if there are thousands of people, I will go there.
Thank you very much to the author for such a wonderful story, it is the best story I have read this year.
The portrait of a group of young people is a huge story of searching for a sword and Zhuang Zhou's dream butterfly. I originally thought that the friendship between teenagers is the sharpest sword against growth and alienation. In fact, it is like searching for the lost years stubbornly, and like Zhuang Zhou's dream butterfly, he is in a trance and does not know where he is and what year he is today.
I love to see young people high-spirited in a world, but I hate that they are also experiencing the pain of growing up. There are no enemies in front of them to kill, and no way out behind them.
It seems that the theme of many Xiu Xian/Gu Dan main themes I have watched is "never the same, juvenile travel". It is obviously a theme that so many people are writing about, but it can accurately torture me every time. Time goes by and people change. Only the true feelings at the beginning can be replaced by the true sadness later.
Mr. Iiyama has great writing skills, and "Friends" is a highly completed work. The various poems, dramas, allusions, and Buddhist principles interspersed in the text are like flesh and blood. Different conspiracies involving natural disasters, internal strife, and foreign aggression build a skeletal framework. Various and charming characters give it the most important soul. Unsurprisingly, he will be my top 1 Gu Dan in 2024.
I like the name "God's Will Fengliu" very much. The natural hostility is God's will. No matter the political field or the battlefield, everyone can't help it. Not everyone has Xie Heng's courage to overthrow everything and start over. Right or wrong is always a matter of stance.
Similarly, for Xie Heng and Zhao Shen, "God's Will" is originally about describing different characters. You cannot deny the meaning of moonlight because the flames are brighter in the night, nor do you need to accuse the flames of burning people because the moonlight is too gentle.
Under the storm, all of them are romantic figures.
It is an article with a strong martial arts flavor. The entanglements of past grudges and hatreds involve people of different identities. After the incident is completed, they each rush to their own future, and we will meet again in the future. The arena is a testing ground for human nature, where power and desire are intertwined. Young people of all kinds are looking for their own way in such an environment. I especially like the ending of the text, when everyone disperses like dandelions. As said in the comment section of the text, "Everyone has a future they are heading for without losing the expectation of reunion."
Farewell is part of the growth of the young knight, and it is also part of the cycle of the world.
"Whoever wants to be with me, swab blood and discuss tea
In the dream, the moon is still bright and the sky is far away. "
This is my first time watching Cthulhu-style Gudan. The first dozen or so chapters are a bit boring, but the more I read later, the more interesting it gets. The end of the year shows us a world that is not so traditional, but enough to satisfy the grudges and grudges. There are beauties like jade swords like rainbows, and there are also bloody scenes with swords and shadows. The Jianghu Years is a poem. I am very happy to witness the Jianghu that belongs to them.
This is one of the rare articles where I find it difficult to distinguish the protagonist. Personally, I think it is more of a group portrait, but the story happens to unfold from Xu Xingzhi's perspective. But in F4, Qu Chi, Zhou Beinan, and Wen Xuechen, the other three alone can be the protagonists of a book. Similarly, what I like most about this book is not the emotional line, but the plot line in which one wrong step, one wrong step, and the butterfly effect generally leads to irreversible consequences. There are a lot of foreshadowings, and the overall story is very complete.
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