Imaginary ancient stories, historical romance novels, and modern times (the selected ones are basically worth reading, but due to Jinjiang's scoring standards, the following scores are not completely reliable)
It's finished, but it's a unique article in Jinjiang!
It's not finished yet, so it's going to be a bit slow, but given the quality, there's no harm in waiting. The heroine worked hard to change this damn world, or to resist feudalism. This kind of perseverance is admirable. At the same time, the emotional line is also very well written. The male and female protagonists are entangled, and their political opinions and emotions are intertwined. This kind of killing and falling in love is really addictive.
I have watched it for too long and my memory is blurred, but the concept is very good. Although the general Butterfly Lovers fandom touches on the historical background to some extent, it still focuses on love. This article contains a true description of the living conditions of people of all walks of life in the context of the Five Dynasties and Ten Kingdoms. Although it is impossible for the protagonists to truly break through the limitations of class and era, they had sympathy for the people in that cruel era, worked hard to change their own destiny, ended the troubled times, and cared for the public. This is already rare in a world that increasingly advocates class theory. Moreover, the author is unconventional, and it is really hard to find the same kind of delicate and interesting writing.
How to say it? It looked great at first, but the more I watched it, the more I felt something was wrong and uncomfortable, but I couldn't put my finger on it, so I could only read it hastily.
I majored in history as an undergraduate, and the heroine is really close to the ideal "historical person". She is rational, calm, neutral, confident, compassionate but will not let things go wrong. These qualities may seem simple and ordinary, but in fact they are too rare. Today's protagonists are all a bunch of bastards. Of course, that doesn't mean that you can't express your emotions. Of course it's fun to be a bastard in a novel, and both the protagonist and the reader are happy. But maintaining emotional stability is what people need in reality, so that they can be more convincing and be a qualified leader.
The heroine is a real careerist, which is very good. There are too few such stories. In this society, it seems that only men are allowed to be ambitious. Women who are slightly ambitious are scolded miserably, as if it is a heinous crime.
Can it be regarded as half historical fan fiction and half fantasy? It's pretty good-looking, but how can I put it? I always feel that the heroine lacks agency, but I can understand that it was really difficult for women to play a big role in that era.
I thought it was pretty good at the time. But then the more I thought about it, the angrier I became. After reading too many revenge novels like this, I always wonder, why is the protagonist always in that old frame? The same goes for Langya Bang. Why continue the old dynasty? Turn over a case, deal with a few treacherous ministers or even the emperor. In the end, you will only treat the symptoms but not the root cause. You still have to hold the power in your own hands, and you still have to build your own ideal world of purity. You can't expect a good person from your enemy's prince or grandson to stand on your side and help you get revenge. But after all, this is a short story, and what everyone cares about may still be the love between the male and female protagonists... I am soliciting essays here, hoping that there will be a revenge essay in which the protagonist truly completes his "revenge."
This ending is really great, I don't think it's a be. This book is not only about love and marriage, but also about freedom. Shanxiang is free from now on. Isn't the vast world much better than the small corner of Zijin City? Life is precious, but love is even more valuable. For the sake of freedom, both can be thrown away.