Must-Read Jinjiang Historical Romances with Male-Female Couples!

1 春 Sultry Spring Scenery Dog PillarRomance193k WordsCompleted 3.6kFavorites1.5kClicks/ch807Gifts

Curator note

The female protagonist fishes, and the male protagonist takes the bait; the female protagonist runs away, and the male protagonist waits for five years; after the reunion, the female protagonist continues to hide, and the male protagonist slowly pursues; when the female protagonist opens his heart, the male protagonist steadily catches her emotions and bridges the gap between her and her family. There is no abuse of women in the whole story, the female protagonist is always in the emotional upper hand, while the male protagonist follows behind aggrievedly. This book is like a "love story of modern people cloaked in ancient identities." First of all, the heroine is in line with the current female thinking. Men are not important, as long as they have children. She never admitted that the child belonged to the male protagonist, and she even wanted to stay away from him and live a good life with her child. The male protagonist's way of handling relationships is also unusually normal: after they became a couple, they thought about getting married.

2 诸 Everything Is Appropriate and There Are No Taboos Mu MuziRomance321k WordsCompleted 265.7kFavorites350.6kClicks/ch108.8kGifts

Curator note

There are no piles of golden sentences, nor high emotions. This is the kind of slow water that moistens things silently and touches people's hearts. After reading it, I felt warm and at ease, like being blown by a gentle wind.

3 权 The Powerful Minister’s Dead Wife Was Actually Me Spring Knife ColdRomance348k WordsCompleted 205.1kFavorites143.3kClicks/ch81.2kGifts

Curator note

The writing of the whole book is smooth, the details are intertwined, there is no plot to abuse women, and it is very readable. Regardless of the protagonist and supporting characters, the characters are firmly established from the beginning, which is quite rare. This is the first time I have come across the character of a "damp male ghost". The author tried his best to pretend that he was a modest gentleman with a clear breeze and bright moon, but his dank nature was already hinted in the lines. For example, when he found out that the heroine and his brother were flirting with each other and collaborating to deceive him, he directly had a do-it in the open air and forced the heroine to send off the guards. The heroine was slightly stunned and said coldly, "Then let them listen," and the disguise was instantly broken. So when he went to dig up the coffin of the heroine, the readers' reactions were all "As expected of you" and "This is the reputation". After confirming that the heroine escaped from death, the forced love was not even acted, and it was purely a "male ghost" style. The hostess setting also holds up. The setting of "the first killer" is not empty talk, but is directly demonstrated through specific plots such as killing bandits and rescuing the female supporting role. She attaches great importance to love and justice, but she chooses to play with the world because of a strange poison in her body. She is strong in martial arts, but she never bullies the weak. She is also popular in the indifferent organization. Not only is she not hostile to her love rival Cui Lingyi, but she relies on her personality charm to turn her into her "Poison Wei"; she says "If I don't love you, you can't hold me back at all". She is a girl who has both strength and humanity. The supporting characters also have highlights, such as Cui Lingyi who killed his enemy cleanly after his father was injured. And although the deputy CP does not have much writing, it is also very good. What impressed me most were the chapters in which the male protagonist went crazy after the heroine's "death". The powerlessness, regret and paranoia were written with great tension. After they reconciled, he became clingy again. He asked the heroine to pick her up every time he went up and down, and he babbled in front of all the officials. His mood depended on the heroine every day. As a powerful minister, he felt full of contrast.

4 荒 Out of Tune Sing of the Wind and GoRomance581k WordsCompleted 85.1kFavorites56.8kClicks/ch129.4kGifts

Curator note

This is a work whose setting is better than its writing. The plot line is tasteless, but the emotional line is a pity. The male protagonist Lu Zuoguang appears to be a sour scholar at first glance, a cold killer at second glance, and a "green tea puppy" with a big temper but a small mind. He cherished the belief of "saving the world" instilled by Lao Lu, but gradually discovered that his ideas and actions were misaligned, and he fell into an Odyssey-like confusion, so he spent his life in the assassination organization. The heroine Zhou Xing looks like a common citizen, but is actually a hexagonal warrior who strategizes. As a descendant of a notorious general, she has great ambitions to create a peaceful and prosperous age. The two met because of a case, and their destinies have been intertwined ever since. The emotional line in the book perfectly explains what "love doesn't know where it starts, but it goes deeper and deeper". This relationship was not an instant passion, but a long-term infiltration. I can't find the exact point where their relationship deteriorated, only the natural transition from pretense of probing and tit-for-tat to tacit complicity and mutual understanding. The female protagonist's constant flirtation and the male protagonist's unique brain circuit create a unique and emotional tension between the two; the male protagonist, who is angry and angry at his own petty ideas, is destined to surrender to the female protagonist's pampering. The most touching scene is when the heroine, after killing her enemy's son, gets a brief moment of relief like Shawshank in the heavy rain, and turns around to see the hero waiting for her: that moment is heartfelt and healing. Another famous scene is the highly emotional inner confession between the two in the later period. It made me cry and laugh at the same time. I felt sorry for these two little bitter gourds, but I was also happy that they finally truly belonged to each other. The last time a CP was so frustrated was Pei Zhu in "Leng Hua Xiao". However, when looking away from the emotional line, the problems with the plot line are exposed. The author obviously loves every character he writes deeply, but his writing skills cannot keep up, so the biographical descriptions used to create "three-dimensional characters" are as smelly and long as foot wraps. Moreover, these interludes often interrupt the rhythm of the plot, and I often forget about the previous situation while watching it, and have to turn back more than a dozen pages to reconnect with the plot. The author's descriptions are all very graphic, especially those that reveal the stage-breaking ceremony and the heroine's heroic rescue of the beauty. But the vocabulary is also very simple: the female protagonist must have "deep facial features" and "light pupils" when she appears, while the male protagonist will always have "bright" and "dark eyes". Moreover, the male and female protagonists are obviously very charming, but they repeatedly emphasize the least eye-catching appearance. The handling of the plot line is also flawed. I think the ancient strategy strategy should have multiple parties and climaxes like "It's Raining". For example, the prince is killed, and the fourth son who wants to make a profit finds out that Thirteen is involved, and immediately tries to rescue and balance the situation. This kind of battle of wits that constantly adjusts the strategy according to the situation is the charm and essence of the strategy, and this book obviously does not reach this level. The tactics here are basically equivalent to fighting by force, that is, whoever has the strongest fist has the final say. I can partially understand that the heroine is desperate because she has no choice but to play everyone in the court like fools, which is too deliberate to "depress one's wits". If you prefer delicate and natural emotional portrayals, this is readable; if you pursue strict tactics and exquisite structures, it is recommended to give up.

5 骊 Pearl of the Li River Pine CourtyardRomance532k WordsCompleted 182.5kFavorites181.4kClicks/ch188.8kGifts

Curator note

"The clear-headed god of murder

6 花 The Darling of the Flowers Duo LiRomance382k WordsCompleted 310.4kFavorites304.5kClicks/ch151kGifts

Curator note

Feel the shocking deliciousness of "orthopedics"! Combined with Duan Ping's witty remarks, I really found a treasure! The author uses fluent writing to write a story of extreme tension, ethics and lust that makes people completely addicted. It also made me taste the delicious taste of "orthopedics" for the first time. "Lotus" and "camellia" are metaphors throughout the text. When they first met, the heroine was standing by the lotus pond, and the hero could never forget the faint fragrance of lotus leaves ever since. Later, he deliberately became cold and tried to suppress his thoughts. He originally thought, "I'll be fine just waiting to die," but his heart broke when they looked at each other: "The lotus flowers are crazy this year." In just seven words, it's not the lotus that's crazy, it's the uncontrollable love that's growing crazily in my brother's heart. Reason told him no, but his heart had already crossed the line, and the tension made his scalp numb. The male protagonist is the least internally conflicted and most confident man who takes things by force that I have ever read: · When questioned about sexual intercourse, admit it directly: "You are right, I do want to have sex as a couple, so why hide it?" · The reaction to learning that the two are not related by blood was sad: "Why is there no relationship?" · Classic logic: "Sisters are born to be only brothers, otherwise why would they be called sister?" The famous scene is even more stunning: he brings the two fathers' memorial tablets with the heroine's bridal chamber flowers and candles, and plausibly says: "You see, we are a perfect match, and even my father has no objection." Oh my God! Of course the tablet cannot speak! This kind of "crazy energy" just makes me want to stop. Jinjiang cannot limit the author's talent at all! A combination of meat and vegetables, stream of consciousness to become a god! The intimate scenes are written in an extremely advanced way, using a lot of imagery and blank space: stranded fish, lotus flowers, breath, ponds... Every scene is like an ink painting, and it is more poignant than a straightforward description. Coupled with a lot of delicate sweet talk, the concentration is so high that you have to take a breath before continuing to read. Give the author a big thumbs up! [Yellow heart][yellow heart][yellow heart][yellow heart]

7 难 Love Beneath the Phoenix Canopy Osmanthus in the MirrorRomance526k WordsCompleted 161.5kFavorites131.7kClicks/ch80.4kGifts

Curator note

I rarely write comments, but I love this article so much that I recommend it to everyone! The author writes more! Don't stop updating, love watching! I particularly like the interaction between the two of them, a boy and a girl who are completely adorable, but also hilariously childish at times. When the female protagonist encounters a question she doesn't want to answer, she just "don't talk about it." The male protagonist "washes his underwear with a cold face" throughout the whole process. He is obviously very angry, but turns around and calms himself down. After the reunion, he became jealous of the heroine's "dead husband" and tried in strange ways. The heroine was so dull that she didn't realize it, making him so angry that he couldn't get angry. The author's writing skills are so good that it's hard to imagine that this is her second book. I'm afraid it's not a small one! The rhythm control is very sophisticated. Every frame of the rivalry between the male and female protagonists is full of tension, and the undercurrent between the interlaced glances is written in detail and accurately. The ? Part is even more unexpectedly good, natural, smooth, and unobtrusive, like what should happen when the plot reaches that point. My favorite scenes are the scenes where the heroine puts her forehead to send blessings every time. It makes me feel that there is an indescribable divinity in her: not the kind of aloofness, but the gentlest power that an ordinary girl can have. "Sour sweetness" is the best comment on this book I will repeatedly watch the clips after the two reunited. The pull after the reunion is not cliché at all. "Nine sweets and one sour" is like a solid explanation for the early glass candy. For example, the scene where the male protagonist thought his child was dead and carved a memorial tablet for his son in prison made me feel sour and weak... Then my daughter scolded him for being stupid. Neither male nor female could recognize each other, and burst into laughter again! The extras are even more treasures. The male protagonist's perspective, the big laugh?? The small one, the big laugh? The most important thing is! This book does not abuse women from beginning to end, and the male protagonist has a 100% sense of service! Very friendly to female hosts! Very friendly to those who like duo dancing! Very friendly to those who like to pull! Can't you really write more? I've read the other two books, and I still like this one the best! Hehe, confess [yellow heart]