The following comments are very subjective and full of speculation. Although I have only read a few chapters, I can feel a certain aura that makes me feel uncomfortable. It is a bit like some fandoms who use the protagonist as a leather bag to show their love for the character. Even though the protagonist has suffered a lot, he still devotes himself to the original character selflessly. This was not clearly shown in the part I watched, but I felt there was a hint of it. I think the protagonist is really miserable. For no reason, he time-travels into a 17-year-old oppressed minor. He is then forced to pay off sky-high debts, and undergoes inhumane exploitation to debut as a "commodity" idol. If the training was scientifically planned, I would be fine, but the article emphasizes that it is Port Mafia specifically found "losers" who would do anything for money to design a training program in which they would train to the point of death. The protagonist was so hungry that a 17-year-old boy weighed 45 kilograms... And then set the protagonist to have an indifferent character. He is shown in the article to be the ultimate in resignation. Even if he is dissatisfied or angry, because of his fighting power, he would be like a kitten in the original character. The look-down attitude of many characters related to Portmafia is really annoying, but with the character of the protagonist + his force, the author's tendencies and the existing plot (+ plus the fact that the protagonist in the text is open all year round), I think it is very likely that the protagonist will even be grateful in the future. The portmafia who brought him misery will become friends with people like Dazai... This is very bloody. I really feel sorry for the protagonist. Although the author emphasizes that she is his biological mother, what is the difference between this setting that blocks all the ways out for the protagonist and a stepmother? Not to mention that there is nothing to look forward to in the future where the protagonist, the victim, who can be seen at a glance, will forgive and even be grateful to the perpetrator. If the protagonist doesn't shut down the port, I will feel that it is not worth it. Suddenly I realized that this article is still labeled as a group pet. I have never seen a group pet like this. I can't imagine how the article will develop in the future. How successful the protagonist will be in being PUAd. Counting the protagonist is really miserable. I think there is a high probability that he will become a holster who sits and satisfies his own fetishes.
Basically every unit has a pull. As you go from unit to unit, the proportion of love in the protagonist's heart is from the initial interest to the love-minded later. It does not refer to the change from interest to love-minded within the unit, but from the perspective of the entire unit. Ever since the protagonist of the Zerg world, he has fallen in love with Shou at first sight, and his level of love brain has increased sharply. I haven't seen the ending yet, but from the world I've seen so far, I think you can treat Shou as different people. The flavor of Shou in each world is different, but the similarity is that the protagonist and his pull are evenly matched, and it's rare for one to overpower the other (occasionally the protagonist will have the upper hand). I think this is really the best book written by Hu Yang. When I read his "Kuai Wen" before, I felt that the relationship between the protagonists Gong and Shou was too fast, and the homogeneity was very serious. It would be boring to read later, but this book gave me a very different feeling. But since the protagonist fell in love with Shou at first sight, I felt that the former Hu Yang came to grab the pen again, and the proportion of pulling and pulling slowly decreased in the later part. Maybe this is the growth line of the protagonist? I am becoming more and more able to learn to love and experience love. I didn't finish it, but I didn't want to watch the part about God and the Bishop. I felt that the plot was getting simpler and boring, and the supporting characters were less and less carefully created. The further you went to the later parts, the more it felt like only the two protagonists were alive. Let's go to Gao Kaizhong...
It's a heart-warming sweet story, very heartwarming, without any sadistic plot, so feel free to read it! The author's writing is also very good, and it's free.
[Five Stars] Beautiful! The combination of detective work and rural life allowed me to see the true character and life of rural people. It was very down-to-earth and made me sigh.
Nice! I really like the character of the protagonist, who is sad and mature, but also a little naive and pure. The background of the Zerg is also very interesting, not a stereotype of male superiority and inferiority. I don't like the extras very much. I feel that the character of the protagonist in the extras is very different from that in the main text. Maybe this is the character of the protagonist before time travel, but there is a sense of why not eat meat, and the space for growth is limited like a caged bird. The protagonist lacks that kind of mature life experience and The experience of various part-time jobs still feels like the clear innocence of a hot-blooded male adult or a minor who has not been beaten by society. In front of Shou, he is beaten and suppressed in all directions. If the main text is about the protagonist raising a cat, then the side story is the protagonist being raised like a cat. I feel very unhappy. Although the article talks about the protagonist's early behavior of treating Shou like a cat or objectifying him, there is no detailed description of treating Shou as a cat or a description that would make people feel that Shou has been objectified. The protagonist is also a normal person and does not engage in bdsm. Although he likes to be called master and is secretly happy in his heart, he does not feel like a master. In short, the main text is very interesting, but the extras are not recommended.
The character design is that of a dank prince who doesn't eat minced meat. The wolf in the article feels like an insult to a wolf. The only things that can be compared to a wolf are possessiveness and strong personal ability. I really dislike possessive people, especially when I think the main character can't control himself. The idea of not eating ground meat also makes me a little disgusted. I don't know how Shou will change in the future, but based on the current situation, I feel that Shou will not try to understand the lives of ordinary people, but will accept his innate Celestial Dragon background. So I'll wait and see.
Watched half of it. It feels like the protagonist has always been in a very passive and weak position. Although he has very kind friends around him, everyone around Shou (except for Shou's younger brother) looks down on the protagonist, and in my opinion, the love between them is not strong enough to make up for the status gap. In addition, the protagonist is really mute and confused. He clearly wants to repay a favor, but he adopts this method. He knows that he is misunderstood as a person who is greedy for fame and fortune, but he does not explain clearly. I am not saying that he does not want to explain, but he is not obsessed with explaining clearly. After being interrupted once at the beginning, there is no follow-up. I really felt uncomfortable with the scene where the protagonist did a side dance to get along. So... Just so so.
Nice. Gb text. I like the heroine's character very much. She is very strong and tenacious. She will not be manipulated and will not change her face even if the mountain collapses in front of her. The other male guests each have their own flavor. My favorites are Tanhua and Genuine CP.
The writing is okay. This article fits the name of "Quick Travel" very well. Each world is very brief and ends in 10-20 chapters. But I think in terms of the endurance, literary talent, and depth of an article, it would be better if the front is longer. I recommend changing it from fast to slow, otherwise it will be like an outline article, such as this one. I feel that there are still a lot of things that can be carefully expanded on in this article, and some details can be added to make the characters more three-dimensional, and a little more in-depth description of the supporting characters to make them appear more real, and make the world appear more real. The current one is a bit too simple, a bit like an expanded outline, and the author is limited in where he can show off his writing skills.
Nice! I really like this kind of innocent master, who follows his intuition and easily manipulates others. To be honest, I didn't think of Xie Qi as the main character at first. I thought it was just a part of the protagonist's emotional line. I didn't expect it to be a real character. But after knowing this, I felt that my heart had settled down. I didn't have the vague feeling of uneasiness before, and it became more interesting when I watched the previous parts.
The hero's mother, Jade Rakshasa, is bisexual. Watching him get along with the Taiping King gave me goosebumps, but luckily the rest of the story is not particularly evil. Oh, and when I watched Jade Rakshasa draw Gongjiu, I had mixed feelings in my heart [changed]
Sweet little article. At first, I was still worried that there would be a thunderstorm behind the system, and I was always frightened. But in fact, it is very safe, and it is the sword spirit of Shou. The plot of h in the early stage was very exciting, and I really liked how everything was under control. However, the h in the middle and later stages felt like it was just scratching the surface and not so exciting anymore. Moreover, the supporting characters were not as vivid and real as in the early stage, and they were a bit tooly. The plot is relatively simple.
Fake father and son. Gong is a daddy, he doesn't understand people's hearts, and he didn't understand what "love" is until the end. Shou is a hot-tempered fool who gains his status by persisting and succeeding. Shou's biological father had a very good relationship with Gong during his lifetime. He liked Gong, but they were not lovers (because Gong didn't understand love). However, Gong was very tolerant of him and could accept being a lover, even though he didn't understand love. It can be said that Shou's biological father, who has passed away in the full text, is the one who appears the third most often [laughing and crying]
The writing is very good, and the heroine is very responsible and responsible. However, when I read this article, I was moved and vomited blood. I really felt worthless for the heroine, although she would not think so. She spent a lot of time, energy and money on her two younger brothers. The heroine had to pay for their daily living expenses. The fight for custody of the two of them cost the heroine a lot of time, energy and money. Because of the stupidity and willfulness of the male protagonist, he wanted to go home to see his grandma, and then he was deceived and had 2,000 yuan stolen. He was so stupid that he didn't even know to call the police, which made the female protagonist worried. The heroine's main reason was that he frequently took leave in high school, and even because of them, he scored 725 points and wasted 135 points to go to a university in the province. I really can't stand it here. The heroine has really wasted many opportunities for these two brothers... Although the male protagonist is not ignorant, he can cook, wash clothes, do hygiene, etc., Like a snail boy, taking care of the heroine's life, but his maturity is very limited and he is a very self-centered person. He knew that the heroine gave up Tsinghua and Peking University for them, so he didn't want to dissuade her, because he liked the heroine and knew that although he had feelings for another boy, they would end in vain and be sad. He didn't comfort, think about, and understand what the heroine was thinking, and he just felt jealous, sad and angry. It's true that the heroine has paid so much, and he still likes her and confesses to her. I really feel unworthy for the heroine. It's disgusting. Who wouldn't be disgusted when I think that the person I regard as a relative and brother would have feelings for a man and a woman towards me. Moreover, the heroine has missed so many opportunities for him. Without him, her life would have been better. He really doesn't understand the heroine at all. I was really angry, and I vomited blood after reading it. Originally, I thought this book deserved a four-star rating, but now I'm very angry, so let's give it a three-star rating. I haven't finished reading it and I don't want to read it anymore. I feel like the more I read, the angrier I get. Moreover, he and the heroine competed against each other, not to trouble others, to save face, and to swallow it with broken teeth. That's it. They really had a lot of suffering and they brought it on themselves. Although the incident at the beginning did hit them hard, and you did suffer a lot because of this matter, but a lot of it was brought on by yourself. I also admit that they are indeed tough, strong, and love life, but I am also very angry when I see them.
[Five Stars] Very beautiful! This is one of the best-written dramas among all the novels I have read. It is very visual, connotative and deep, and also very novel. The author also writes about the effect of women wearing men's clothes. From the outside world, even men will respect women. And not every girl respects women. Anyway, I like it. This is the title of the book. I think I can change it again [laughing and crying]
It has the feel of a road novel, with a hint of wildness in the background. I think the writing is quite good, but from time to time I am struck by the clay sculptures in it, which are a bit stuck in my throat, such as the eldest lady, etc. There are also many such comments, such as the small village girl and so on. I really don't like this. Men are men, why should they be described as girls? In addition, I found that in the few road stories I have read, in all those with CP, there will be family factors that break up young lovers, or cause twists and turns in their love.