Ah, it's so short. The protagonist travels to Gotham and unknowingly starts a spark of revolution. Looking at Gotham from another perspective, it's just too short.
From the perspective of Cao Wei in the Three Kingdoms, the heroine is Cao Cao's counselor and CP Chen Gong. The beginning is quite exciting, and it makes your eyes light up. The stamina is lacking and the characterization is blunt. The most blunt thing is definitely the cp line, which is simply to complete the task, and the painting style changes suddenly. Writing about it makes me feel frivolous, and I don't want to read it anymore.
It's quite interesting, but the description of historical figures in this book is second to none, and it mainly satisfies certain historical meanings. It is divided into many topics, and I feel that the author's way of absorbing knowledge is also topic-based. The research is quite in-depth and adds a lot of fresh knowledge. Focusing on the Qin and Ming dynasties, it mainly tells the story of the First Emperor and Zhu Yuanzhang reforming various aspects after watching the live broadcast. The characterization is not outrageous, but later on it doesn't look like the historical image of the person, but it's okay. It's self-consistent in the novel, and it's made up in a vacuum anyway. I would give it five stars for the emotional depth of the topic.
Sky screen + time travel, the background is like the Ming Dynasty. At the beginning of the story, Zhu Yuanzhang appointed Zhu Yunwen as the emperor's grandson. The sky screen appeared, showing the historical evaluation that the male protagonist is Ming Renzong Zhu Gaochi. Tianmu changed the decision of "Zhu Yuanzhang" and finally made Zhu Di the prince and the male protagonist the grandson of the emperor. Then Zhu Yuanzhang abdicated. Since then, I have been writing about male protagonists, and the sky screen basically does not appear. It only appears when the male protagonist is in need. Goldfinger is too big and makes writing uncomfortable. There were a lot of things written after the curtain did not appear. After Zhu Di ascended the throne, a lot of stories were written about whether the male protagonist was not named the prince, but we all know (and the people in the drama also know) that the male protagonist will become the prince. The pacing is too bad. I gave up after reading Chapter 47.
Not long after, the female protagonist transforms into a Taoist priest and transforms into the Ming Dynasty, and the male protagonist Jiajing. In the end, no one of the female protagonists entered the harem, and her first status was still that of a minister rather than a concubine. The male protagonist C has no harem, and the little naughty dog occasionally ghosts the male, which is quite easy to tease. The portrayal of the male protagonist is not very flattering. It does not take into account the history and is completely treated as a fictional story to make up for regrets. The gold finger of the technology tree is relatively large, but the author does not want to feel that it is reasonable... Let's satisfy some historical regrets. The writing is pretty smooth and the cp is sweet.
It's a difficult book to rate. The opening chapter about the family killing is really good, but there are too many family knives. [Laughing and crying] Why does everyone have to sacrifice their children? The pattern is similar. The interaction between the male and female protagonists is cute, and the bond is not that the male protagonist sees that the female protagonist is his destined love, but that the female protagonist may kill him in the future. (Laughing Mouse) The heroine has a strange intuition about the "smart man" and "master of lies" of the male protagonist. She can always see through the male protagonist when he is lying. It is quite interesting to expose him often.
The language is long-winded and misses the point. The plot and the environment are disconnected. It is childish and easy for the heroine's medical skills to be trusted or questioned. It completely depends on the author's setting of whether the character is in the heroine's camp, which is frivolous. I heard that the heroine has multiple relationships and I wanted to watch it, but I couldn't bear the relationship scenes, it was too long-winded! ! ! !
Overall it's okay, the setting is interesting. The heroine thinks that she is playing the mayor game and can wear a vest in the game. The pattern is a bit repetitive, and the more I write, the more boring it gets, and I gave up after Chapter 90.
It has a very ancient flavor, a demon killer organization. The main point of view is the male protagonist's perspective, and the female protagonist is shaped from the male protagonist's perspective, but the image of the male protagonist is also shaped. Speaking of which, I really want someone who can only write about webcam heroines to take a look at it... But it's very uncomfortable to watch. Is the character design designed to torture women? It's so easy for people around the male protagonist to hate the female protagonist. The characterization is very strange, for example, the male protagonist is the subordinate of the female protagonist, and his good friend has a good plan and is in a high position, becoming the person who checks and balances the female protagonist. But the hero's mission failed, and the hero's good friend asked the leader for mercy. The heroine didn't protect her, so the hero's good friend started to give the heroine eye drops in front of the leader... Oh, and there was a preconceived idea of hating the heroine. I thought the heroine didn't do anything. What is she hating? Later, the heroine left with the hero, and the hero's brother spoke rudely to the heroine. The hero said that he was a spoiled child, so let him go, and don't expect the heroine to protect the boy Ichigo... So the heroine revealed her identity to protect the hero's brother. What's even more ridiculous is that the male protagonist's brother still hates the female protagonist... The slaves and domestic servants insult the female protagonist behind her back. But it is written that the male protagonist loves the female protagonist very much. Is this reasonable? The male protagonist just said that he loved her and kept her. I don't see any efforts being made for the two to stay together for a long time. It's rare that I hate the male protagonist of a romance so much... You, the author, are really good at describing the malice of the people around the male protagonist towards the female protagonist. Why? Why? What kind of heroine do you want to create and what kind of story do you want to write? I hate it, it makes me feel so uncomfortable. I couldn't stand it until halfway through, so I gave up.
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