I bought a physical book in junior high school. The female protagonist is a funny girl and Neptune, and the male protagonist is a tsundere. They get married first and then fall in love. Then after they get married, they find that they are not suitable and they separate because of the children. Then the male protagonist pursues the female protagonist again.
It's really not the heroine's fault, it was the boat that broke apart on its own. The heroine's reaction is slow and she is cute and cute. The male protagonist is a mature version of the sinister man who has grown up after experiencing the stimulation of the future male protagonist. The young male protagonist is the teenage version who has not yet experienced shock, and he falls in love with the female protagonist at first sight. The timeline of the male protagonist is quite easy to understand. After being attacked by the older male protagonist, the young male protagonist makes up his mind to get together with the female protagonist as soon as possible. He eventually becomes the male protagonist, travels back in time and attacks the young male protagonist, and then returns to the present moment with the female protagonist to continue their happily married life, allowing the 18-year-old male and female protagonist to develop their story.
The heroine's timeline is that she lost her memory for a year when she was 18 years old. When she woke up, she had a boyfriend. The two fell in love and got married. After returning that day, the heroine traveled back to 18, then passed through the Shura field, and then returned to modern times with the hero. When she was 18 years old, she fell asleep after her future self came over. Because the female protagonist is a soul traveler and the male protagonist is a clothed, black household. This cannot change history. Compared with the changes in history, it is a parallel time and space, and the butterfly effect and grandmother paradox are prone to occur.
At that time, I liked this kind of gag very much when I saw Inuyasha. The writing of this story is also quite interesting. The main male protagonist Shura field is exciting, but because it is considered ancient, the female protagonist is not likable now.
Demining: The heroine is more of a love-minded wife.
Damn, the fairy heroine x the honest hero. The heroine dares to act boldly, she directly goes up to seduce the male protagonist, and relies on him first. I am dumbfounded. The heroine is still as fierce as in ancient times. I just like a more lively and down-to-earth heroine design. The kind of perfect elite heroine/soft and delicate wife is too vain. These cps in ancient and early novels are more tense. This article is locked.
It's still an ancient poem, both are unclean. I don't remember much of the plot, but the one that impressed me the most was the heroine writing a memorial and suppressing Neo-Confucianism. It was originally Neo-Confucianism that came up with this theory to discipline women, which caused ancient women to be further oppressed ideologically and unable to hold their heads up. In short, the heroine is super powerful.
I watched it a long time ago. The heroine was passed over for several years. The time-traveling girl used her identity as the heroine to ruin her reputation. She wanted to get close to the hero and found out that the hero was a soft-boiled guy. She also made the heroine's mother angry to death. It was very bad. The male protagonist and the heroine's father both knew that the heroine was penetrated, so in order to prevent the time-traveling girl from going out and messing around and causing harm to the heroine's body, the hero still married her. The time-traveling girl patted her butt and wanted to change her body to enjoy herself, and then left the heroine's body to cause harm to others. The heroine came back just now. This meme is much older than those Tomato skits. An ancient novel, the writing is mediocre, but the story is okay
The male and female protagonists have a mutual secret love. They were supposed to get married in school, but the female protagonist plays the game Thief 6 and has a lot of younger brothers. The male protagonist is an affectionate and sultry man, who only treats the female protagonist (calling him brother or something), and is slightly oily. In the extra chapter, there is also a Shura field where the older male protagonist goes back to stop the time-traveling woman from causing trouble, and then the older and younger male protagonists compete for favor (mainly because of the younger ones' anger).
Traveling to the future and discovering the plot of marrying a nasty person. Demining: The male protagonist has a secret love, the male protagonist has a poisonous tongue, and the male protagonist is sullen. In Gu Zaowu, I used to like the male protagonist with this kind of character, but now I see the male protagonist has a really bad mouth.
Modern women travel to ancient times to farm and have babies. Still full of ancient flavor,
Demining: The male protagonist is unclean and has sex with the female protagonist, but he is an unintelligent primitive man [laughing and crying] and has the obligation to reproduce, although this is still unreasonable.
The technology only reaches the Bronze Age, and it focuses on original ecological farming. The heroine is really tenacious. There are a lot of locks, and they are all scum. The author has passed away and there is no way to unlock it.
This book is about the heroine loving herself after she is reborn. The male protagonist's ex from beginning to end is not centered around their love. Neither of them loves each other, and the male protagonist prefers his sister. The male protagonist was sick and couldn't give birth to a child, so the heroine's sister took folk remedies and gave birth to a child and died. The heroine was forced to bind the male protagonist's second string to take care of her sister's child, but in the end she was trapped in the prince's mansion and died. After being reborn, the heroine regretted it. A group of girls started their careers. The house fight line was quite exciting. She healed herself, and also healed the other girls who were ruined in their previous lives, and she was with Li in the extra story. My sister's eldest son also inherited the male protagonist's legacy and was infertile, so he also started taking medicine.
Old novel, the male protagonist is unclean. The female protagonist was reborn. She loved the male protagonist so much in her previous life that she forgot about herself due to competition for his favor, and was eventually left to die in the cold palace. The male protagonist is a scumbag, and the second male protagonist is affectionate. After rebirth, the female protagonist loves herself, cares about the queen mother, and also solves the enemies in her previous life. The male protagonist only waited for the female protagonist for five years, and he was not tortured enough.
The charming heroine is obsessed with cultivating immortals, but she lives in a world view that does not allow cultivating immortals. Then she was tricked by a Taoist priest into taking drugs, which was actually an illusion and drove her crazy. The heroine is the strongest and has the most powerful force. The male protagonist is purely illiterate and loves the female mastermind. The female protagonist orders the male protagonist to give her a child. The male protagonist: You have to find a man who can give birth to her child. He is willing to let people come in and treat him as a child. Hahahaha. I think the reason for being the boss is that he is the most generous, and other men are too narrow-minded. The female protagonist also has other "mad" plots, but the male protagonist does nothing but obey her orders.
But I like to watch the ending first and then rewatch it. There is a plot before the ending where I feel that the heroine doesn't like the hero enough because she sold him to a female partner who likes him in exchange for a knife. This plot can be fulfilled in the early/mid stage, after all, it is still in the emotional development stage, but it is already in the later stage, I can only say that I am really not that loving. The heroine really wanted to sell it, and she had no regrets. Even though her family tried to persuade her, she insisted on selling it. It was the hero who came back on his own. If the fake sale is acceptable, it would at least mean that he didn't really want to sell it. She just decided to find the male protagonist after she got tired of playing with knives, alas.
She really wants to become an immortal, but unfortunately her worldview doesn't allow her to do so. The time when she most hoped to revive her spiritual energy [laughing and crying] was to "sell" the male protagonist to someone else for a good knife. This is equivalent to abandoning him. The male protagonist is really not as good as an inexplicable knife in the female protagonist's heart.
The heroine returned to normal in the end, but I stopped reading it. I still like the emotional line that runs in both directions. This book is more cruel to men. The heroine has nothing wrong with her except that she is upset, and the hero is more emotionally devoted.
I once watched it in high school. The female protagonist is the reincarnation of a boss. Then there is a game scene where she pretends to be a pig and eats a tiger. The male protagonist is stronger, a martial arts idiot, and likes to fight with others. No one else can beat him. The female protagonist seems to be the reincarnation of a god. The male protagonist also engages in slicing. I can't remember the rest.
The female protagonist is the romantic partner of the male protagonist's nemesis. The female protagonist is very good at controlling the male protagonist.
A sex-changed version of White Snake, the male protagonist, the male protagonist, gets married to the female protagonist first. There is a resonance setting. The male protagonist is reluctant at first, but luckily, the male protagonist gets in first. Every day, he can feel the [shy] and angry thoughts of the two of them. Distraction is also very exciting. I am particularly jealous and possessive.
An old article about a female protagonist conquering a male protagonist, a live broadcast, and a plot about competing with the female partner for favor.
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