Love must be placed in the context of history, arise from opposition, fall in love with someone who cannot love, misunderstand each other, and be bloody and bloody. Love must be unrecognizable to be beautiful.
In this list
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1
糖
Candy Wrapper Two ConceptsRomance86k WordsCompleted 1.2kFavorites514Clicks/ch2kNutrition
Curator note
What kind of brother is a good brother?
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4
是
Whose Xinyan Is It?
Curtain WeightRomance290k WordsCompleted
63.6kFavorites173.5kClicks/ch27.7kNutrition
Curator note
A story about a heroine who loses her memory and abandons the ball. The first chapter opens four years later, returning to China. The hero and his four-year-old son, who he raised personally, were waiting at the airport for the heroine to return. After that, the reason why the heroine jumped off the building is unfolded as a flashback narrative, mixed with memories of her school days with the hero, a fake reunion story, and some cute daily parenting. The female protagonist Jiang Ziyan is a little bitter melon who has been mentally and physically abused by her mother for a long time (sorry sister Ziyan). The ultimate j-person sister Ziyan is attracted by the male protagonist's sense of order and abides by the rules. She enjoys the time when the male protagonist is alone with her. Chasing him is like placing him on a snowy mountain so that others cannot get involved, while she quietly watches from the side. The heroine's usual "I love you but it has nothing to do with you" attitude drives the hero crazy, and the two start a tug-of-war. They both have a strong attraction to each other, and the love at first sight is wrapped in the strong attraction of their souls. The male and female protagonists exchange moves with each other, and even the person who appears in the middle is just a kid who accidentally entered the scene of their fight between gods and suffered disaster. In the end, the battle ended abruptly with Ziyan jumping off a building. The heroine jumped off a building in anger because everyone she loved wanted to kill her, but the hero paid a heavy price for his unscrupulous temptation, leaving a big hole in his heart. After the heroine jumped off the building, he finally realized that he should not judge whether he loved or not loved based on how he thought others should love him. The price he paid was a heavy price. One of the cool points of this article is that in the last forty chapters, the male protagonist was slapped by the female protagonist again. This slap woke up the two of them from a state of pseudo-balance, where one was paying attention and the other was hypocritical, and the reunion officially began. In fact, this article is a sister-brother relationship with a fairy tale flavor. After the heroine returns to China, the hero goes from being a cold single with a baby to a domineering boss all the way to a clingy and loving husband. His son calls the heroine Sister Sister, and her husband also calls her Sister Ziyan. Those who love watching siblings fall in love are in luck. The creative theme of this book is still the trauma of the original family. In the process of searching for memories, the heroine thinks about her past and future. In the process of raising children, she will also reflect on whether her education method will leave traces of her mother. At the end of the article, the author was kind enough not to write about the heroine regaining her memory. The bad past was erased because of her self-injury that seemed extreme but actually had no other choice. The fear of being erased by her lover finally turned into a faint narrative from others and the blankness in her mind after amnesia. These pains and the scars on her calves will gradually fade away due to amnesia. Even if the unbearable truth was revealed in the end, she was no longer in pain. The name Ziyan was chosen by the heroine herself, and the new life was gained by her determination to destroy everything by leaping down. Both the formal and substantive new life were her choices, and the heroine enjoys complete initiative in her life. Curren Shige, why are you so good at writing stories? I like every heroine so much. Styles vary but the undertone is always gritty. When thinking of Ziyan, the four words "holding the blade tightly" come to mind. Beneath the cold appearance is a soft inner heart. Even though she suffered the pain that made her jump in the first twenty years, at the end, when He Shaoli asked Ziyan if she would die for love in the future, Ziyan, who was as cold as a blade, only answered softly: "Yes." Also, I recommend the best chapter review of Chapter 1, which is about searching for memories.
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7
拔
Draw Part Meng Zhong Is ProudRomance568k WordsCompleted 51.9kFavorites55.6kClicks/ch75.2kNutrition
Curator note
It is a story of reunion after a broken mirror. The reunion part is short but very sour. The emotional tone of the whole article is a bit sour, but at the same time it is warm. The sourness lies in the mismatch between the male and female protagonists in all aspects in the early stage, but love and attraction still make them reach out and pull each other. The warmth lies in the fact that both people hold what you need and I will give you the best attitude towards each other. When two people hold hands tightly, the male protagonist is the one who is least willing to let go, while the female protagonist is the one who will reluctantly pull her hand because of fate. I only love a heroine who is full of vitality and always has a fierce desire to compete with the gods. Meng Zhong is very good at twisting the sour emotional lines.
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8
感
Emotional
Two ConceptsRomance377k WordsCompleted
11.9kFavorites9.6kClicks/ch13kNutrition
Curator note
The writing style is very good, and the writing style is warm, like the youth literature serialized in "Sprouting". To roughly summarize, this is probably a sour growth story about the reunion of a person with weak feelings and a person with strong feelings? Like the happy ending of most fairy tales, happiness will definitely be the ending of their story. It makes me feel good after reading it, and I added it to my spot-blemishing serum. I definitely agree with both concepts, five stars^^
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9
百
Useless Is Lingering
Curtain WeightRomance276k WordsCompleted
43.9kFavorites72.2kClicks/ch24kNutrition
Curator note
Yes, it is a rare piece of literature where the male protagonist's time has stopped in the story of reunion. I really like the campus part of the two people. The two little bitter gourds who have trauma in their original families heal each other together. The male protagonist's trauma is relatively invisible. You can see the depression of the male protagonist in adulthood and his escape during the reunion process later in the story. The family is a bit burdensome and restrains his hands and feet. The trauma of our heroine is exposed, and she is constantly controlled by her NPD-personality mother. When she was a teenager, the heroine studied under the pressure of her original family. When she was in college, she experienced her mother's death and bankruptcy. She worked independently to pay off debts while her father evaded and concealed it. But after entering the workplace, the heroine is still an outstanding existence. She always has a stable core and clear goals under multiple pressures. Her tenacity to maintain the situation is very touching. When two people grow up and are capable, they will break the mirror and get back together, because they have always loved each other and cared about each other. This mirror has not been broken at all, and the reunion will come naturally. Pluto said this was a comparison of gardens. The heroine never got out of this relationship, but she forced herself to keep moving forward and entering new relationships. The love story between the heroine and the male lead that many people don't like is also caused by the heroine's trauma. She feels guilty for her mother's death, so she chooses someone who is satisfied with her mother. The parts of the male lead that make her uncomfortable are similar to her mother. She finds the feeling that her mother brings to her in the male lead. Being in love with the male lead can always put her in the same traumatic state of being controlled by her mother as she was when she was a teenager. Even if it makes her painful, she thinks it is safe. Love pain is also a form of trauma. When two people reconcile again, it is also time to let go of the trauma. After getting back together, the male protagonist's depression worsened. When he was uncertain and worried about the gains and losses of love, the female protagonist always gave him the most tolerant and steadfast love. The female protagonist is a very good lover. Although both of them were tortured, the ending was happy. Waves and neon are always lingering. __________ "Zuo Zhuan·The 25th Year of Zhaogong": "Liannuo follows the public, and there is no connection between the outside and the inside." Du Yu's note: "Liannuo, never separated." In addition to representing affection, lingering also has an unpopular meaning, representing "non-separation". It is useless for nothing. Before all the lingering in the world disappears, the waves and neon are already in it.
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10
贵
Noble Minister
Jie Hua NiangRomance1.9M WordsCompleted
102.7kFavorites91.4kClicks/ch232.3kNutrition
Curator note
The novel has been serialized for four years. After it was finished, I opened it and read it in one go. I felt so happy. When I read this story, I could feel the author's intentions. Later I learned that the author had written this article from a graduate student to a Ph. D., And the regret of not updating it turned into a little bit of luck (.) The writing style is far superior to other articles in Jinjiang, and it is not an exaggeration to say that this single article surpasses Jinjiang. The wording of the quotes is very sophisticated, and the knowledge reserve is very deep. Some people commented that it was suspected of dropping the book bag. I don't think it was in the wrong place even if the book bag was dropped. I like to listen to the female protagonist telling stories more than the male protagonist. I think it is rehabilitating my brain. The ceiling of the Machiavellian genre where women dress up as men. The main story line is mixed with emotional lines, but the male protagonist is not the background. You can have one bite of Machiavellianism and another bite of love and murder. I have read the 300 chapters where a woman disguises herself as a man and pulls off the horse before falling off the horse. I have read it over and over again. When I read similar articles, I feel like I have been in a sea of troubles. I have written everything that needs to be written, and I have written it to the best of my ability. Several emotional lines in this article are inseparable from the power and conspiracy lines (emotional lines and career lines are divided into 30 and 70). In the cruel version of "Playing with Dragons and Phoenixes", Yuechi uses emotions as a sword and Zhu uses imperial power as a blade. They can entrust their lives to each other but still fight to the death. The emotional line between the male and female protagonists falling in love and killing each other and intertwining love and hate is also the most impressive one I have ever read. Many people think that the main text is "be", but in fact, good text "be" is also "he", which does not affect the brilliance of the emotional line at all. My favorite in the whole story must be the Moon Pond, as its name suggests, it flows equally to everyone like moonlight. In a short poem written by Yuechi when she first entered the officialdom, she compared herself to Jingwei. After many years of ups and downs in the officialdom, she was like Jingwei who worked tirelessly to fill the sea and devoted her life to her ideals. After being beheaded, she was so angry that she vomited blood, but she told the male protagonist that her thing was much harder than a steel knife and would not be easily broken. From ordinary people to the crown prince's companion, the last official to the first assistant of the Ming Dynasty, from Jiubian to Tatar, Yuechi has been broken and reorganized, but her most precious thing has never been broken, which is much harder than a steel knife. I like the qualities of a time-traveling woman that include wisdom and perseverance that are not erased by external objects. She still values every human life from the perspective of a person with a higher status after traveling through time-travel. Yuechi's sincerity was rewarded with the sincerity of countless people, especially women, who married her twice to save women's lives, protected them and brought them out of trouble. Zhenyun, Shichun and Wanyi all finally walked their own paths because of Yuechi. There is family affection between them, a love that transcends love, and a true spiritual love. Rather than the emotional line, what I like to watch more is the process of Yuechi being a martyr and being repeatedly broken and reorganized. A heroine is not called a heroine if she is a brilliant heroine who rises rapidly, nor is she a heroine who is not influenced by emotions. This is undoubtedly a heroine novel, and Yuechi is also her favorite heroine in recent years. A good article worth reading. I hope the author can continue writing. I will keep waiting. __________ I posted a favorite book review: The arbitrary possession mixed with Qian Gang is both sacred intention and love, the calculation of the attempt to monopolize the spirit is both heartless and true love, one controls the sky, the other wins the people. No wonder the whole story is like a huge suspension bridge with no one in it, tens of thousands of feet straight down, spanning the east and west, while Li Yuechi and Zhu Houzhao drew their swords and looked around, their hearts pounding all the time.