The main person sees both, the main person and the main person watch more, and the main point of view is biased towards the one who is the main point of view. I prefer the emotional flow, the type where the attacker and the two respect each other, it's too humble.
(Four stars because I don't want to give it five stars [loading]) It's quite good-looking. If you use anti-Mary Sue literature to summarize it, it doesn't feel comprehensive enough. The characters are all three-dimensional and each has their own position. However, the emotional drama is a bit obscure in the early stages, and the feelings are unknown. It feels like it goes deep. It would be better if the perspective of the heart attack in the early stage was more clear.
Shou encountered so-called "friends" at the beginning of the Orient Express murder-style one-man stabbing, and ten years later after surviving the attack, he pretended to be his cousin and came back for revenge. The revenge plot will be a little longer, and the emotional line is interspersed in the revenge plot, but the integration is very good. They are all good. Gong's shaping is relatively weak, but I think the current level of participation between Gong and Shou's revenge is just right. If it is too deep, it will appear vulgar and it will appear that Shou relies on Gong's help to succeed in revenge. If it is too shallow, it will be separated from the main line. If the author spends more time writing emotional scenes, it will drag down the rhythm of the plot [Come on] Anyway, it is very interesting [milk tea] [milk tea] [milk tea]
