Most of them are the main attack, preferring the counter-routine of the old enemy being strong and torturing the scum, the hearty emotional confrontation, the characters are three-dimensional and multi-faceted, and the emotional tension is full
Bunkerbao is a classic work that focuses on the three-dimensional and multi-dimensional aspects of the literary unit, with delicate tension and smooth confrontation between the lines.
Focusing on unit stories, the plot has a compact rhythm, progressive layers, reversals that are natural and unobtrusive, and the logic is rigorous and closed-loop.
Mainly focused on high-level S-control, full of tension, hearty emotional confrontation, three-dimensional characters, and fascinating plot. I prefer pretending to be a split personality, the boss and the apocalyptic little octopus.
It focuses on fast-travel slicing and suppresses the villain type. The plot is interlocking, the rhythm is tight, the reversal is natural and not abrupt, and the logic is rigorous and flawless.
Mainly focusing on the human beings unit, I feel that units 1 and 2 are the most interesting. Most of them are about using evil to fight evil. The heart-warming emotional confrontation between the fox and the demon line is very enjoyable to watch.
Mainly focusing on unit stories, including high-level forced love plots, full-scale characters, and full of emotional tension. I prefer the first and third units.
The old enemies are powerful, fall in love and kill each other, and use all possible means to be cruel to others and even more cruel to themselves. The plot is interlocking and the rhythm is tight. The characters are full of three-dimensional and multi-faceted growth, experience and transformation, which is worth pondering.
(Not all here) The full version is a slag attack that becomes a scum shou, with extras: 108 ways to play the Lord Qin, including various ways to play braised pork.