I was adding books to my list before I remembered that I had not finished ordering them. I love this grassroots heroine who looks humble but is actually lustless but rigid [please]
A series of female protagonists, the emotional line is pretty good, and it's rare to catch up with the story in one breath during the period of exhaustion.
The news is getting worse and worse, and the trend is very uncomfortable.
I really don't understand where the point of a PUA master-level QJF is. Every time I open a review with the mood of wanting to slap the male protagonist to death, I am exhausted when I see a stream of comments that are about CP. And I want to complain, but I want the favor value to be worth 500 [covering face and laughing]
I finally bought it with a favorable impression of 500, and I have lost the mood to complain. If this is the author's obedience test, then she succeeded [covering her face and laughing]
Of course, there are also those who criticize the male protagonist, but I don't know why they always fail to hit the mark. The backlash is because they complain about the female protagonist, which makes me feel that this female protagonist is really unlucky. She is suffering from mental illness in the article, and she has no subjectivity when she is criticized outside the article.
All in all, I read it very exhaustingly. I carefully thought about the reason why I read this. It is probably because I have recently become interested in the inconsistency between psychological activities and details in articles. Also, it is really boring to force me not to write about the inversion of status difference and emotional superiority.
The second part, about 80 chapters later, is what I think is the highlight of this article. The image of the heroine also becomes fuller later on. After thinking about it, the overall reading experience is pretty good. And the emotional model in the later period of this forced i is also quite interesting. It is not the classic extreme inversion of low class status and emotional high status, but it feels closer to two-way taming until a delicate balance is reached.
What must be defended for the heroine is that the heroine is really not a love brain in the universal sense. I think the male protagonist's evaluation is still very accurate, "living in her own imagination." The "love brain" is a negative external characteristic of a person like her who is the ultimate self. In fact, the female protagonist's spiritual world is very pure and hard, in a sense even more so than that of the male protagonist. And very funny. . . . After the heroine realizes that she has fallen in love with the hero, she pessimistically imagines the heartbreaking ending after being abandoned, and imagines for n times in her daily life that she will go to Australia to work, be buried with the ashes of her grandparents after her death, etc. (There is no intention of including the hero in the future). . . The male protagonist asked what would happen if the female protagonist was really abandoned by him. The female protagonist said that she would cry for a long time. . . . I really couldn't stop laughing. How can it not be considered a kind of righteousness without desire? It was directly given to the male protagonist, and the concept of "you belong to yourself, you can take the initiative to choose" was repeatedly inculcated in the subsequent plot... I really think it is very interesting.
It's a free article. I passed by this book countless times and finally read it. It's really good. I was so impressed by this book that I wanted to find the original work. But after searching for the original work, it was withered due to many factors... This fan-written book is really good-looking.
N I read it a while ago. This kind of fringe subject matter would probably be beaten into obscurity by lightning protection and Japanese. There are some stereotypes, but after all, Su Shuang has been writing for 20 years + the well-written 1vn is becoming less and less + free. So what else can I say? Just watch it.
The first chapter made me laugh so hard... Tasting slowly!
After watching 30% of the book, I feel that the reading experience is gradually declining, and there are stereotypes that appear and disappear. The heroine's character design is delicious, and the heroine's all-round direction is also very good. But the pace of the plot was too slow and made me feel tired. There are also a playboy man and a suspected ltp man among the supporting characters. The latter should be reversed, but the portrayal is relatively greasy, so he skips crazy. Oh yes, there is also a student council president who is arrogant and sub-contrastive, but sometimes the masculine flavor overflows and he still can't stand it. There is also a plot where the heroine is dressed as a maid (not the shameful kind), but I still feel uncomfortable. If I want to describe my feeling of disparity, the beginning of the story made me think it was a story about a royal bitch heroine who lays down and fights monsters while upgrading and opening up her harem to recruit virtuous husbands. As the story progresses, I feel more and more like a story about a bitch bitch heroine dragging along useless men and even dragging them down... It is true that I like the Asashi section where the heroine's personality charm explodes, but when this kind of plot is used on a character who is a drag on me, it feels like a stuck in the throat.
But none of this prevents Sister Wu from being handsome! A mere little man is nothing to care about. If it's useless, then it's useless. As long as he looks good, I feel like there will be useful newcomers in the future [Like]
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