This is an old novel. I recently sorted out the Jinjiang bookshelf and took it out again. The heroine is very likable. Although she has suffered a lot, she has always been kind. She is a little weak but gradually becomes stronger. She is not a growth-oriented heroine, but very soft and makes people feel distressed. The male protagonist is a normal character. The most speechless point in the whole book is that the king is not a king, and the minister is not a minister.
As I was typing, it suddenly occurred to me that the diary of the Deep Sea Flow was the diary in Dennis's diary? So is the third perspective of this article Dennis' perspective? Weirdly interesting.
The overall novel is quite interesting, but to be honest, the first 30%, probably during the Cretaceous period, is quite boring. Maybe I don't like this kind of thing. Generally, I would finish a 300,000-word novel in three or four hours. This one took me a long time to read in a day.
Later, after emerging from the Cretaceous period and entering the Stone Age, it is very interesting, mainly because it is very unexpected. Although I had guessed early on that the dinosaur world might be man-made, hahahaha, it felt like it was influenced by the Charlie IX Black Mist Jurassic I watched when I was a kid, but I was really surprised when all the secrets were revealed.
Xia Chuan and the others did not travel through time, but entered different underwater memories again and again in the Bermuda Triangle. If it is really an artificial world, it falls into the cliché. In fact, it is just an artificial use of the seabed memory that originally existed on the seabed. It is still a supernatural theme, another kind of supernatural.
The emotional line in this article is not very special. Mussuri is always an iron-blooded 1V1, Gong is a bit dull, Shou is very cold, and Gong is a loyal dog, which I think is OK.
It has the style of Mussuri, and the supernatural theme is quite relevant, but it is not particularly obvious. I feel that the writing style is still greatly influenced by others, and there is still a gap in the overall writing style with the subsequent articles such as First-Class Lawyer and Judge. Relatively speaking, the writing style is relatively immature, but surprisingly, it is actually okay and readable.
In fact, when I read Musuli's writing, the most reassuring thing about her is her emotional line. This kind of 1V1 emotional line with no one else or any nonsense from beginning to end really makes me feel comfortable. Although there may be a little less tension, I like it like this. Her writing makes me feel comfortable, and I don't feel like Akaishi from time to time.
The background of Western fantasy, after experiencing the age of old gods and the era of post-gods, ushered in the era of godlessness. The entire article is actually about erasing the influence of the evil post-gods on people in the era of godlessness. Mussuri's consistent plot line: discover the problem-explore the problem-defeat the boss-solve the problem. The overall plot line is good.
The emotional line follows the line of being a happy enemy and a king of words, with attacks and losses hurting each other. In fact, I feel that the change in the relationship is a bit stiff, but it's okay.
Gong is a human emperor who is not favored by heaven, and Shou is the last nine-clawed golden dragon in the world. Personally, I think the biggest feature of this article is that it is very cute and the emotional lines are very sweet.
Feeling is a golden dragon, and it has a set of dragon logic. For example, a dragon bed is a dragon bed. Although he is a golden dragon, because there were no elders around him when he broke out of his shell, he farmed, bought and sold by himself, endured hardships, and understood the hardships of people's livelihood. Although he is a bit ignorant about some things, he is not a fool, nor is he burping, he is just naturally cute.
Gong is the emperor, but there are no three palaces, six courtyards, and seventy-two concubines. The relationship between the two of them is 1V1 from beginning to end. There is no third person and no misunderstandings, so the emotional line is very sweet. This is my favorite point. Gong Guan is a father-type boyfriend, and he is very doting on her.
The disadvantage is that the plot is relatively simple. The whole book is more about supernatural cultivation, with settings of heavenly ways and spirits.
The plot line is mainly about the battle between the Xuan Dynasty and the Ling Dynasty of another country. However, there is no Machiavellian strategy and more supernatural means are used. The victory is easy. The villain's character is not three-dimensional and is relatively flat.
The author's writing style is average, and the plot line setting is actually okay, but the writing style is not strong enough, but the emotional line is cute, so the writing style is adequate and OK.
It's okay, the setting of unresolved love between humans and ghosts, plus a bit of bondage from past and present lives.
The plot line and the emotional line are both average. The main thing is to solve the problem of evil ghosts in the city and finally defeat the big boss. The emotional line is relatively dull, but I personally adapted well. Both primary CP and secondary CP are available.
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