Purely subjective (o.0), Etc., Or if you have watched it and it is worth remembering, it includes the following categories: ordinary setting but good-looking/novel setting/character and plot, poke me
The boss of a modern game company travels to a future where there is a holographic game warehouse in a parallel world. The rich second generation starts making games from scratch, establishes a company, and slowly cooperates with the holographic game warehouse company to constantly release new games. The game has a lot of ideas, but the background is basically ancient style or martial arts fairy tales. Many of the settings in the novel are not rigorous or the details are not rigorous. Some operating methods and solutions to the problems encountered are unreasonable. The characters and peers are not set.
The relatively ancient Long Aotian Rebirth game system has a smooth story about cultivating immortals and upgrading. The golden finger is huge, the emotional lines are very direct and there are few, and the overall plot and development are complete from beginning to end.
Shou is an ordinary person who lives in a small village by the seaside in the countryside. When the apocalypse comes, his family will be outside, and the people in the village are almost dead. He is growing vegetables, cooking, and chasing the sea alone on the beach. On the beach, he meets Gong (a mermaid). Gong is a man from the center of the earth but has no intention of saving the world and has no intention of saving the world. I don't have much interest. I just have no place to go and my body is not used to it yet so I stayed here. Gong himself has no goals or ambitions. Throughout the whole process, he is basically jealous and protective of Shou and participates in daily farming chores. The people in the center of the earth who are rescued later are all friends of Gong from an orphanage. He prefers to describe a small family. In addition to human beings, this world also has people from the center of the earth. Their world was destroyed at the end of the world, so they came to the surface. Gong and Shou lived together. They found and took in more people from the center of the earth and some human brothers. They had no purpose at the beginning, but Shou had a bit of a Holy Mother plus savior mentality. During the rescue, I gradually learned a lot about the inside story of the people in the center of the earth and the key to saving the world. There was not much description of upgrades and infrastructure. Getting stronger mainly depends on the evolution of the natural disaster aurora. The final catastrophe reflects a bit of human tenacity and unity. Overall, it is stable and warm. It is not very long and is relatively short and concise. The design of the world view is relatively novel, but the framework is relatively empty and there is no extensive description. It feels like the whole world is filled with only family members and friends, organizations from the center of the earth, and brainless cannon fodder. The highlight is that the people in the center of the earth are all mutated marine creatures, and the description of them is very cute.
The whole thing is very complete. The historical background of the Han Dynasty is relatively realistic. Shou traveled back in time to an unfavored prince in ancient times and led the Han Dynasty to carry out infrastructure construction. In the early stage, Chang'an was engaged in construction and in the later period, the king of the Northern Territory was granted the title of King of the Northern Territory to fight the Huns. Shou had a close relationship with the prince and the emperor. It was a warm fairy tale written about the royal family. The infrastructure construction was average. It is about inventing and creating things to solve problems, and other things are invented along the way. The king of a small country in the Western Regions who surrendered to the imperial court is good at fighting. There are not many emotional scenes, but he is a bit of a tool. The overall emotional scenes are smooth and smooth. The whole story describes the father-son relationship between Shou and the emperor, and the brotherly relationship with the prince.
Shou is an old employee of the main god system. He traveled from the world of cultivating immortals to the interstellar world. He picked up the atavistic black panther general and raised it as a spiritual pet in the spirit mansion. He led the attack and cultivation of immortals very smoothly. Basically, he only taught one person in attack and then arranged for him to teach others. The overall upgrade process was very slow. The description of building the interstellar cultivation system is relatively general. It does not focus on infrastructure as the main content, but focuses on the upgrading of shou and attack. The main plot is the war between humans and Zerg. In the end, Shou and Gong separated the Zerg star core and the human star core into different planes under the guidance of the Lord God, ending the war. Shou led Gong and became a time-travel employee. The character description of the supporting characters was good, but the supporting characters did not fare well. There were very few good endings for the secondary CP. The overall framework was good, and the setting was good, but the upgrading part in the front was better than the later battle.
Weidihualiu, a novel about novices who have no brains to upgrade their group favorites. Shou travels back to an anorexic rich second generation. He relies on the God of Cooking system to upgrade and study food. He cures his anorexia and promotes food at the same time. The emotional drama is not the focus but there are quite a lot. It is step-by-step. Shou's character is very gentle and he works hard to upgrade.
Shou and Gong are both ordinary people. Shou is a medical student who separated from Gong before they got along for long in the first apocalypse. Later he became a research boss, but was plotted to obtain the star core. In the end, he found out that Gong was also murdered and voluntarily sacrificed his life. He broke up with the bad guys and was reborn before the apocalypse. He and Gong supported each other, helped Gong heal his legs and awakened his superpowers, and developed things in the mid-term. Ye has no brains for love, so they separated temporarily, Gong always has his family and country in his heart, and Yue is also constantly getting stronger. It is said that it is an exchange of interests but has a bottom line of conscience. In the later period, they gathered to establish a new base and completely eliminated the forces that did human experiments in the previous life. The writing is restrained but warm, the rhythm is well controlled and daily but not procrastinating, and the strength is improved step by step.
The protagonist Shou and his neighbors in a small community traveled together to a modern world with strange existences. The residents of the community are actually various bosses in the infinite horror world copy. The protagonist Shou is the main god in charge of these bosses, but he lost his memory after traveling through time. He and the administration of this world are testing each other. Gong is the unnameable name of this world. Like the Ancient God, the world will collapse and restart when people recognize it. The tone of the story is light and funny and daily. The main theme is that the amnesiac protagonist Shou explores his identity in a different world, explores weirdness, and falls in love with the protagonist. The only shortcoming is that the ending is very hasty. I thought that the main plot will be deepened step by step, but it ends suddenly. The subsequent development and ending of the plot are all in the extra chapter. Although there is not much development, it is part of the daily routine of the continuation.
There is no emotional line, a micro-future Blue Star background, the male protagonist obtains the Blue Star Doomsday Prophecy Book, and gets props and upgrades for each doomsday prophecy that is solved. His voice expresses official support. The writing is novice. Different doomsday dungeons have routines and some are more creative. There are no major difficulties and the upgrade is very fast. There are too many inner activities described in the later stage of the protagonist and the people who listen to their voices, and many of them are speculations about Goldfinger's doomsday prophecies. Each sentence has to be guessed for a long time and different people come out to say it, which is a bit watery.
Traveling through the Western Fantasy Continent with a medieval background and infrastructure. The plot is not in-depth but the layout is complete and the ending is more reasonable. The description of the infrastructure is not very detailed and focuses more on the overall situation. Generally speaking, it is not very detailed but very complete. It is inspired by the unification of the continent from a young lord. There is not much emotion but there is always
She is very proactive and smart. She is also involved in starting a business in the entertainment industry. She also has some special abilities. She got sick in the early stage but was cured in the later stage. She is very arrogant.
A mournful social animal who travels through the idol show. He expresses his true feelings and has a lot of jokes. He came from behind when he was young. It's funny, lighthearted and heartwarming without any big conspiracy.
It's rare to have a beginning and end to the infrastructure of the Beast World. From wandering tribes to city-states, technology and systems are developing. There are external dangers and internal construction. The emotional line is relatively dull but always there.
■Shou becomes an emperor through time travel, Gong is the prince of a general, and his relationship develops smoothly early. There is a deputy CP but not much. In the original book, Gong and Shou are a couple. In the original book, Shou is also a time traveler, and he becomes Shou's younger brother, a sweet cookie.
A very inspiring and good student, traveling between two parallel Chinese countries to build infrastructure, with official assistance, and has a relatively stable emotional line.
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