I have read two of the author's books so far, The Feast and The Coffin. The Feast is a thriller and novel, guro-oriented, with a lot of flesh-and-blood descriptions of physical discomfort, while The Coffin is more horror-oriented, as you will encounter many dangers and harm from ghosts, so it is relatively more acceptable and likeable. This book is more like the frights that appear from time to time in daily life, not fatal but increasingly difficult to escape, until you are dragged into the abyss by strangeness. The ending of the final meat chapter really hurt me. Tangtang was so miserable. Why should such a kind-hearted child go through these things and never be able to escape...
Cthulhu/Doomsday/Monster: The male protagonist has a very good character, is gentle, firm and responsible, has high moral requirements for himself but never restricts others, has a tolerant and adaptable personality, but loves to avoid conflicts and digests his emotions by himself; the female protagonist's logic is very strange, and she often cannot understand her. She does not understand human logic. I would rather she be a monster, and I can understand that she does not understand human nature. The result tells me that she is an ancient god, and the setting of Cthulhu is written like a housewife, and I can no longer complain...
I can understand that a very different relationship will produce many conflicts, but the rhythm is too poor, the process of burying the conflict is very long, and the moment it breaks out is also very serious. Sometimes the male protagonist will be heartbroken to the point of losing all hope. As a result, because of some (relatively speaking) irrelevant details, he can make up for himself, digest his emotions, and then instantly forgive and regret and apologize, and then take the initiative to make amends. It's so convenient
Although it is an ancient novel, the writing style is still very good even today. It is a story about ordinary young people. I hope they will be happier in the future.
It's hard to see such an unpleasant and pretentious protagonist now. He regards wealth as his life, is pretentious, and looks down on himself...
However, ordinary people who are squeezed out by power and money and easily abused have neither the strength to resist nor the help of nobles. If they want to survive, they can only sell themselves cheaply and let themselves and others understand that this person's dignity is worthless, so as to reduce the pain...
Renwai/unit text: Every pair sprouts up, except the last pair. Read every article over and over again, except the last one. I hate the Chai Wife Crematorium. This kind of scum should be directly cremated and thrown into ashes.
Through the book: similar to the setting and CP relationship mode of the reader's book, I really like this one-way super thick arrow that comes for you/supports you no matter what. However, the development of the main plot is a bit sloppy () Although the protagonist is the only decent representative who thinks from the villain's perspective, the villain gives up too easily with just a few sentences. In addition, the description of the cannon fodder subordinates during the war was briefly mentioned, which made me subconsciously feel that there are only three big villains fighting against all the decent people, and the group portrait is almost meaningless.
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