In the Han Dynasty, infrastructure construction was carried out at the same time.
Overall, it's pretty good. It's a little dull. It lacks some impressive plots and dialogues, and it doesn't have the urge to read it in one sitting. But it's still a high-quality article. Ajiao Chen's scenes are less than I expected, which is a pity.
I really recommend developing a small game based on this.
The later period is very enjoyable and very feminine. I have to say that this direction is a bit unexpected, but it is reasonable. My opinion is that if a person wants to have a child, it is better to have a daughter. Mother and daughter are really natural allies.
Overall it's okay, but sometimes the heroine's words and actions in the early stages made me feel a bit... Uh, childish? It seems that the flavor is very ancient. I don't really like the word "great talent" either. It seems a little devalued when it appears frequently and it becomes awkward.
It's beautiful and has a reassuring heroine. The design of the simultaneous advancement of the canopy world and the real world is very wonderful and very challenging. It is equivalent to designing two lines at the same time, but the degree of completion is very high and it is too powerful.
Maybe because the Jin Dynasty is still relatively unpopular, the data is not as good as expected, which is a pity.
The emotional line part is very tense and exciting! The part where the two work together to obtain an official position for the heroine is also well designed. It can be understood that the control of participation in later political affairs is based on Ying Zheng's character, but from a personal preference, I still hope that the career line will be deeper. The modern chapter of the extra is fun!
I looked at Li Shimin and Ying Zheng, and I liked them all, including the famous Zhenguan officials, who also looked good in their outfits. I like the character creation of Yinman very much, but starting from the discussion of marriage, the author's handling is still inappropriate.
The overall tone of the article is mainly relaxed and refreshing. Suddenly, under the influence of the barrage in the article, the male protagonist begins to discuss gender issues. Regardless of how abrupt it is to suddenly have a serious discussion in a gold-fingered article, but since it has to be discussed seriously - even though I like the image of Li Shimin in history very much, I still doubt whether he, as a feudal male emperor, would elevate the status of women. Would representatives of vested interests give up their rights so easily? As one of the most famous wise kings in the past five thousand years, no one really thinks that love really means anything to him, right? Why didn't Empress Changsun leave her name? Is it because the historian had a bad memory? Introducing a serious issue so abruptly and then resorting to the Golden Finger model of Shuangwen to resolve conflicts is disrespectful to the topic and irresponsible for one's own work. It would be better not to touch upon these issues in the first place. No one will have any profound requirements for Shuangwen.
In addition, as mentioned in another final comment, setting Xu Negation as a time-traveling woman eliminates her achievements in history. Since the author wants to explore gender issues in this subject matter that could have been simple and refreshing. Then it is understandable that readers should accordingly increase their requirements for the image creation of all female characters in the article.
The Three Kingdoms, independent version, no CP. There are system elements (not a high proportion) and some cheats (in terms of force). The heroine herself is very smart and has a strong sense of planning. I cried to death watching the extra episode
Yu Shaobao, be a good father, hey. Once again sincerely insulting Baozong! The part where the heroine left the Ming Dynasty actually looked good. At the end, when Zhu Qiyu was sitting in the guest seat like a younger brother visiting his eldest sister, I suddenly felt a little moved. It's the kind of thing where he knows that it's not the original person and even knows that it's a girl, but he still respects her the same. It makes me feel that the heroine's feelings are not thrown away and are responded to across time and space. That's good!
It's also good that Zhao Song part ceded power to Rou Fu. Haha, are the men from the Zhao Song family worthy? Really, no one is a man! Rubbish! In the extra chapter, whoever doesn't have the Sixteen Prefectures of Yanyun is the Southern Song Dynasty! It's really wonderful! ! !
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