After reading Chapter 44, I really can't stand it any longer. . . . It is indeed made by xp
I didn't expect it to be such a controlled article before I clicked on it. . . .
This meme is very good, and the various plays are well written. The biggest problem is that he has always been a one-man show on the offensive side and can't stand the arrow. A bit hard to swallow.
Another problem is that Small World has no ending, and Small World was written too quickly, with too many real-life plots inserted in the middle, too many backtracks, and the plot was too fragmented. The reading experience is not good.
But overall the writing is pretty good, I recommend watching it in a controlled manner and forget about others. There is a high degree of concentration in the film. You are the little pepper beauty and cool brother Shidi. She has good acting skills and a good personality. She can act coquettishly and is a bit naive. I feel that although I have a lot of identity buffs, I am in a very weak position emotionally and character-wise, and I feel a little unworthy of it. This is one of the things I can't figure out.
I haven't watched it in the future, but I feel like the biggest problem to be solved later is to make the loved ones attack, and also to explain the origin and principle of the high-sweet system.
The first two small worlds have the potential to develop in the direction of suspense, and they are quite exciting. It always feels like a pity that they were not written in this aspect.
I'm too tired to order everything. Too tired after being together. I also read another book about brothers turning into lovers at the same time, and the plot was basically the same. I had the same problem with that one. After we were together, I was so bored that I almost fainted from boredom. Jinjiang couldn't write about cars, so I felt like I was part of the play. But the tension in the early part of that book was handled very well. In the early part of this book, the difference between friends and lovers was often discussed. He was always tough on words. I always felt that there was a big problem with his understanding of intimate relationships, which was particularly naive, especially compared to the other book I read.
The copywriting jokes are fun, and the main text plot is abstract and industrially saccharine. The attack and reception buffs are stacked up to the point of floating, and the golden finger can be used everywhere. He is so awesome and yet he is still controlled by a dim-witted villain like the old emperor. The old emperor is a Jiajing character from the Ming Dynasty, but he doesn't have the power-loving and cunning character of the Taoist priest in the play at all. He's written in such a stupid and untenable way that the plotting and planning of the protagonist group is also very funny. Falling in love with each other is completely based on imagination. Even after buying into V, I couldn't get through nearly 40 chapters. I don't know which chapter will be better. It's so novice that I, who only love novice writers, can't stand it. The advantage is that the plot is smooth, the logic is smooth aside from the golden finger, and the group portrait is okay (it can barely be called a group portrait).
Oh my God. Putting aside the content and not looking at the writing, it is actually quite good. But I can't put it aside. I really couldn't bear the ending, so I didn't book it all. This feeling is really pure love brain. Reading this article, I felt as helpless as a love-minded bestie who cried out about her domestically abusive boyfriend who had iodine stuck on her fists, and hated that her slap could not penetrate the screen.
Gong cannot be considered as letting Shou down, but it also made Shou's life very difficult. She was bullied, fell ill, and lost a lot of things. As a result, she accidentally met Gong and after Gong fell in love with her, he put down his dignity and started licking her. Shou didn't learn anything from her previous failed crush experience, and she couldn't control her love brain. She has no independent personality at all. She can't live without Gong's love, and she still has to live and die for Gong. I bet that if Gong and Shou wanted to divorce after suffering from the seven-year itch for several years, Shou would probably kneel down and beg Gong to break up, or maybe just let go and go straight to the purple sand. It feels like a one-night stand, like a hallucination caused by drinking drugs.
The Controller probably doesn't like watching it because Shou is a humble licker, the Controller probably doesn't like watching it either because Gong apologizes to Shou and makes up for it, and Shou also licks and dotes on her, and the Product Sister probably doesn't like watching it either, the relationship between the two is not equal at all, it's very similar to the three-dimensional reality-oriented love-brained wife. So who wants to watch it? . .
After thinking about it, it might be an alternative kind of dream girl literature. I licked the male god until I was half dead and lost my memory. After a one-night stand, the male god regretted it and came after me. After regaining his memory, I became a beautiful wife. . . Than slowly entering the moon and the pan if only. . . .
If only. I like the jokes very much, but the writing is true. . . . I can't even read the little white text, which shows how many there are. After reading a few chapters into v, I couldn't stand it anymore, so I say goodbye to everyone.
It was a big scene, with a lot of people showing up. I couldn't tell the relationship between the supporting characters and the protagonist at all. After reading five chapters, I didn't recognize anyone except the protagonist Gong Shou and the original Gong Shou.
I like this story, I will pick it up and read it someday.
The subject matter is interesting and you can understand what the author wants to express. But he failed in the early killing attack and was dragged back to stir up the hype. Repeatedly, it felt like ghosts were beating the wall, and I was tired of watching it.
Writing style is a double-edged sword. Although the translation style is somewhat unique, it is difficult to read.
There is no mussel to enter v. Maybe I'll continue watching it one day. The subject matter is really new.
The invincible torture king. I regret seeing all the sudden changes in the mid-term.
One star for the bromance, and one star for the emotional scene before the confession.
The school life of He and Shou in the 70s, 89s and 90s is really interesting. The love between Gong and Shou in elementary school is super cute. . .
After the main line collapsed, we started to attack the Tatars from the offensive.
The logic of each character's behavior is inexplicable. Gong is extremely smart, but he starts to lose his wits as soon as he learns about his life experience. Without evidence, the villain will believe anything he says, even ignoring the family ties that he has had for many years.
Gong and Shou's confession was incomprehensible, and the emotional drama progressed by leaps and bounds. Shou confessed to Gong and went to bed without even really understanding her feelings for Gong. Gong transforms from a seventeen-year-old flamboyant boy into a greasy boss in an instant. I really like to attack two children, and even the mothers who collapse later don't recognize them.
The past and present life are written sparsely. . . I can't even watch it with the character filter on. . . The writing is pretty good. Each plot of this article can be taken individually, but when put together, it is simply the pinnacle of abstraction. The author really can't write about social groups larger than family and class. The political struggle in the front is still a bit of the legacy of the Ming Dynasty, but the fight for heirs and power plots in the back are simply abstract. . . . I wanted to write about the deep brotherhood and the ruthlessness of the Tian family, but in the end, none of them stood up. The old emperor and Li Gelao used not-so-smart tricks to trick the family with deep feelings into each other. They instigated the protagonists to believe in something. In the later stage, Lao Liu, who was unable to defeat, was sent out to fight, and Lao Ninth Emperor, who was supervising the country, also acted inappropriately and secretly ran out to save him, making him invincible. No one in the cabinet listened to Lao Liu and Lao Jiu, so Lao Jiu abandoned the government and ran out. . .
The early stage of attacking and supporting is really good, why is it written like this? . The author can just write about the daily life of a group of adolescent children. Don't write about the secrets of the Machiavellian royal family that you can't grasp. . .
Overall, I don't recommend reading it. It's better to read some good white text with good logic, at least it won't be so painful. . .
Idiots are attacked by x's pretentiousness. Childish fairy tale. In the first half, Shou is unable to speak because of the wallpaper, and Shou's friends take turns to save him. The two parties make up the plot by themselves, and attack the darkness and crawling, which is quite funny.
Looking at the front, I originally wanted to give it 4 stars. But I feel like the second half is too messy, wasting such good settings in the front. The first half of the story is about a pretty cute story between a chicken and a duck, and the wordless setting is very interesting. Starting from the time when I faced off against the previous Demon Lord (around Chapter 30), everything became child's play. Although it is originally a novice article, it is too novice. I feel like two people who are in pure kindergarten love will hold hands and go to the toilet together.
The setting is too Mary Sue, the world view is not widened, and the supporting characters are poorly created, resulting in a lack of logic and a heightened sense of childishness. I feel that every supporting character is quite childish and soft-hearted. Things that can be solved by being coquettish and coquettish, how can they have such a confrontation between attack and shou. As a result, the emotional line of attack and reception is very untenable in the later stage. The two of them are reunited, but the part about the broken mirror is written as if it were broken, which is inexplicable. Although there is a related plot, I don't understand why the two fell in love, and I don't understand why Gong had to leave. I feel that there is no need to break this mirror.
I'm tired of watching it, and I can't order it all. It should be a very interesting setting for the system to issue scripts that bring the modern hegemonic story to ancient times. But efforts were made to create the characters in it, but none of them stood up, and there were too many logical illogicalities. The author tried very hard to be funny, but it was really deliberate. I have always emphasized that Shouduoduo is crazy. In fact, he loves to joke and tease people. He is willing to put down his face and put down his figure. There is nothing crazy about it. . . Epilepsy is also a fashion item. . .
I originally wanted to watch a low-end movie, but after watching part of it, I felt like I was on the moon. . .
The first two-thirds are very good, but I really can't finish it. The sunny and cool guy is redeemed by the dark crawling attack, and it has a youthful and youthful feel. The last third, dealing with coming out as gay and their respective families, is hilarious. Especially when Gong comes out as gay, the first half describes how ruthless Gong's father is, forcing his mother and brother to become such ghosts. In the end, after coming out as gay and being locked up for two days, my grandfather came out and begged for mercy and passed. Something. The logic of this book is broken. If Gong's father is so easy to talk to, why did the family fall apart back then and why did Gong develop such a dark and crawling character? The same goes for coming out. In a very traditional family, people come out as soon as they speak out. Uh-huh.
Continuously High Sweetness
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