It is said that it is a time-traveling book, but it is actually a time-traveling book. It is a sweet story about the background of the Yongzheng Dynasty. There are many magical changes and cannot be verified at all. I suggest you read it as a time-traveling story when you don't want to use your brain. The male and female protagonists double cross-dress. The male protagonist, the official Yongzheng Emperor, travels into the Qing Dynasty novel to pursue his career. The female protagonist is a modern society animal and becomes a showgirl, using the Qing Palace as a company and working hard to get promoted. It's quite interesting.
It seems to be one of the few stories where the male protagonist is Kangxi, and the female protagonist is dressed as a virtuous concubine (the version where she eats hard and lives seriously). The daily life of the heroine is indeed quite leisurely, and it looks very relaxed. But the text is sometimes written in a more modern way. Like Sister Fogg's words of "positive front", people wonder if this sister is also wearing...
Compared with the romance line, the sisterly love line of the heroine as a concubine and queen is more touching. This book is written by the same author as Lie Ying, but maybe because the heroine is trying to change her hard-working life, I felt more happy reading it.
There is no research at all, it is completely OOC. It is just a piece of clear-cut text for fun. It can be treated as a sand-carving text with a clear-cut background. The heroine did not have any emotional relationship with any of the royal relatives (only family affection), and there was no CP except that she flirted with a handsome boy in the middle and didn't get over it. I personally didn't like the ending very much. I didn't quite get the plot necessity for Kangxi to hear the story of the female editor-in-chief and the people coming from her hometown.
The heroine dresses as Qianlong's mother, and the whole story does not interfere with any major events. Rounding it off, it can be regarded as a story in which the heroine observes the development of the original history. The heroine and the emperor have no love, and they basically get along with each other as old partners and colleagues.
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