Three views are not important. The key is to write about the ambiguity and tug-of-war between the male and female protagonists, making the viewers feel excited and shy as they roll around on the bed.
The part where the heroine has not completely fallen in love with the hero, before and after getting back together, the ambiguous pull, the naughty, cute and sexual tension.
There are no three views. Although the heroine has a grandson at the end, it will not delay her Mary Sue's love. Don't worry about OOC, Voldemort will pull more in the early stage and kneel more in the later stage.
I hate River Crab, the male and female protagonists are constantly pulling each other, their eyes look at each other as if they were drawn together, the slight ntr is good-looking, although the love is deep but the family honor is important, it is sour and bitter, but fortunately the ending is good. The female protagonist is poor and beautiful, the male protagonist is on top and pulled down, I eat it!
It would be nice if the later part wasn't so realistic... The previous description is really great! I have read it over and over several times, and the many details are really heart-pounding. It feels like falling in love.
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