The ancient conspiracy ceiling, rebirth + butterfly effect is so brilliantly written, the foreshadowing is so clever, the solid knowledge of history and culture leads to excellent writing, and Shu Gui is very good at writing stories and establishing characters. It is a perfect book in all aspects.
Ps: The relationship between the emperor and the subject between Gong and Cannon Fodder Shou in the version before the revision was very interesting, but as soon as the real Shou came out, I felt that it was difficult to reconcile, and that it was not worthy at all...
The author has mastered Pei Jun's youthful spirit and Jiang Yue's nobility and deep affection. Jiang Yue is still the top male idol in my heart.
It is short and concise, because there is no other famous one-silver-coin-one-pound Demon The reminiscences in the main text are rich in emotion and flesh, and the background of the story is also constructed with vivid light and shadow. It is also friendly and perfect for beginners of Western fantasy.
The first person and the reunion of broken mirrors are a perfect match. Misunderstandings are inevitable and blood will be spilled, but the reason for misunderstandings is the insurmountable gap in reality - class. It is quite rare to see this kind of subject matter so realistic.
The seven years you left me in the rain of knives were the days when you walked alone through the thorny fields and slowly approached me...
They are two very good people. I really like the last two perspectives when they are spread out to piece together a complete set of shortcomings and a double amount of sourness and heartache.
No cp female group portrait + suspense + Chinese text, novel writing method + exquisite conception + connection with reality is thought-provoking, a masterpiece that can be read in one sitting (this book completely surpasses the measurement standards of "Internet writing" and can impact publications
It's a fresh, plain first-person narrative, and the group portraits are great. I was fed lots of good candies in the front, and stabbed with painful knives in the back. After knowing the ending, I felt like I was covered with a veil when I watched these young girls and my father, Emperor Song. They were beaten bloody and shocking by the Huns, but it was still a complete, full, and emotional story. Fortunately, the ending was not a point of eternal reincarnation and death.
Let's talk about the story first. "I" watched him send away his beloved, and then he lived in the empty heart again. There are not too many gorgeous details that are deliberately decorated, but there are death, disease, secret love, and the most realistic plot that pulls you out of the mud in suffering. It is short and can be read in one sitting.
Let's talk about the writing style. After reading two chapters, I found that I like it. It's just like Shui Hang's sentence describing Tang Jingchuan. It's light but like water mixed with Mongolian sweat medicine. The emotion is delicate but the writing style is not pretentious. The language is plain but the description is not tasteless. Later I thought that this is also a writing style. The writer's ability to adjust the style of writing to suit the subject matter: the scope of scene description framed by the perspective of the first-person narrative, the random thoughts of reviewing the actions of the last second eight hundred times a day, restraint, selfishness, sweetness, sourness and dissatisfaction, everything should probably be like this
Finally, let's talk about the concept of love. I was taught that love is obsession, confinement, control and shackles after reading the crazy review. When I return to reality, I generally agree that love is an illusory feeling, a consciousness strengthened by the performance of love over and over again. "Good Night" does not explore where Shui Hang's love comes from, but only repeatedly states the self-denial Bible he recited: Love is not only how I want to love him, but also how I feel his feelings.
Summary: It is a very short and fast-paced story about a group portrait of women, a real-life suspense story. In many places, real issues are briefly touched upon without further elaboration. This is an advantage in a short story.
Plot: If you look closely, reasoning does not account for a large part. It basically explains the relationship by giving clues and synchronizing, and the protagonist team responds; unlike other mystery and suspense novels that focus on clues and deductions, the mental game between Li Xun and Zhao Xin in "It's Him" is the focus of the story layout, and the group portrait part reveals the plight of women in reality; the more powerful concept is the recycling of foreshadowing, which basically makes the characters have plot points.
Writing style: Most of the narrative is straightforward, and the words are concise. Due to the particularity of the subject matter and writing method, I can't see more at the moment. It reads very smoothly.
Regarding feminism: It is not difficult to tell that the author is a feminist from the subject matter in the author's column and the treatment of details in the article (such as the conscious use of "they"). The portrayal of female images of different ages, identities, and personalities in the article is also a condensed picture of all living beings, each of which reflects a quality. The author's intention in writing the article is very good, but the only regret is that there are too many grassroots feminists who have gone astray in the comment area.
The characters are full-bodied and colorful, the writing is beautiful and the words and sentences are not artificial, and the plot is not particularly amazing, but it is not lame in ancient times.
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