#KANGXI # Yongzheng [There is intention for film and television adaptation | Group portraits of women in Qing Dynasty to be developed]
When Shen Qingci, a modern college student, fell into the whirlpool of the Kangxi Dynasty's nine sons competing for heirs, what he encountered was not only his elder brother's machinations, but also the courage of women to resist imperial power——
Shi Fujin stood straight in the snow, refusing to bow his head despite the gnawing coldness;
The Bafujin threw themselves into the raging fire to burn the arranged life to ashes;
The maid Qiuxue, who is holding a hairpin and making decisions for herself, and the maid Chuntao, who is crying while facing the "Two Little Girls Holding Hands" painting...
These women trapped in the gap between the harem and the imperial power are all using their own "no" to fight against the "yes" of fate.
And she, Shen Qingci, who will become the "old lady" in Yongzheng's harem, is entangled in two fates in the storm:
One is to help the Geng family and raise Hong Zhou; the other is the Song family's concubine Mao who rescued the heroine and was buried well after her death.
Highlights of adapting to film and television adaptations:
? The "Female Group Portrait Narrative", which is a rare subject in the Qing Dynasty, breaks away from the traditional elder brother's plotting framework and cuts into the perspective of Fujin and the maid who are obscured by history books. It explores the "silent resistance" of the harem women, benchmarks against the emotional foundation of "Bu Bu Jing Xin", and extends the new dimension of women's awakening.
? Ten blessings froze to death in the snow, eight blessings burned themselves in defiance, autumn snow cut off hairpins to hide ambitions, and Chuntao died to protect the heroine... Each character has "highlight famous scenes + memorable lines + through-foreshadowing", which is suitable for the fast pace of short dramas. It can also expand the depth of human nature in long dramas and accurately cover "female empathy + clear IP fans". The film and television potential needs to be developed urgently. Jinjiang cooperation and film and television teams are welcome to discuss.
Intent: To satirize feudal royal power and the rise of women