Documentary director Lin Ye stepped into a museum to film "Invisible Burning", and the camera mistakenly entered the world of cultural relic restorer Shen Yao. In the cracks of the Tongquetai sachet, a negative film from 1995 revealed the same-sex love that had been erased in the previous generation - Lin Ye's uncle and Shen Yao's master Ye Qin. Restoration and photography go hand in hand. The two get close between the tweezers and the mirror, and confirm each other between the fire and ashes. Spring is deep, and the old locks are finally broken by the spring fire; above the ashes, love and records are reborn.
Concept: Images, cultural relics, and stories are all public memory devices; when the love of marginalized groups is truly recorded, it gains eternity against silence.