Qin Qiyue, a graduate student in archeology, accidentally traveled to Bindi, Shaanxi Province in "The Book of Songs: Binfeng: July" and became a humble mulberry picker. Faced with the barrenness of the Loess Plateau, the pressure of the nobility, and the burden of survival without clothes or brown, she was out of place.
An attempt to improve farm tools attracted the attention of Qin Chuan, a young man in the village. His heartfelt "zalie!" Was the first warmth in her cold and alien world. He used his skillful hands to turn her "mulberry picking hook" into reality.
Gong Zizhao's demand for luxury is like a sharp sword. When Qin Qiyue was accused of stealing for discarding silk, Qin Chuan, like a lion, used his flesh and blood to protect her from the beating. The price is the young master's light sentence: the hard labor of cutting ice in the cold winter.
Bindi is soaked in blood and tears all year round. The autumn harvest of millet fills the treasury, and the cold winter wind is like a knife. Qin Qiyue was struggling with cold and hunger, and his heart was on the glacier. Qin Chuan dragged his injured leg and fought for his life in the ice cave of death, just to fulfill his promise of "coming back". Farewell to the wind and snow, he threw away the bloody mulberry leaves.
When a century-old mulberry tree collapsed in a thunderstorm, its blood-stained mulberry branches were twisted into a "life rope." Holding the rope tightly, Qin Qiyue disappeared on the plain where Bin Feng whimpered on the next thunderstorm night. What was taken away was the heaviest suffering, the hottest protection, and the back of a young farmer who was as silent as earth and as tough as mulberry.
Purpose: To deconstruct the pastoral romance of "The Book of Songs" and reveal from a modern perspective the hidden history of farming suffering and class oppression soaked in blood and tears behind "Bin Feng July". At the same time, it eulogizes the tenacity and protection and glimmer of humanity that burst out from the bottom of life in desperate situations, and reflects on the indifference of individual suffering in sanctified historical narratives.