The book-burning order burned half the sky red, but they decided to use bones as pens to write "Culture is not dead".
The prince hid the "Apocalypse", the sword was hidden in the poem, and the cinnabar mole on his left eye reflected the falling mountains and rivers; the stone carver held the wind-breaking stone and carved the truth of the massacre into the cliff, while his father's ashes were still hot in the fire. "The prime minister used power to protect the classics, but he became a sacrificial martyr to the classics; the leader of the camel team stuffed the rubbings into the camel bell, and the copper seal was shattered in the desert; the Tanghua juice of the paper dyer made the words more durable than blood." They bet that stones can withstand fire, that ink marks can burn through knives, and that the words they carve can take root in the ashes of troubled times.
Later, in the southern copybook, half was as gentle as poetry, and the other half was as sharp as a knife - "Look, if the words are alive, we are not really dead."
The intention: to protect the cultural context in troubled times and to engrave the Spring and Autumn Period with bones.