The process of making, losing and finding a treasure handed down from generation to generation in the embroidery world, "The Good Day", involves a love-hate relationship involving three generations, multiple families, and lasting for more than half a century. It has created a group of portraits of people who are keen on inheriting traditional Chinese culture, represented by Kong Fanqi, Liu Fenglan, Chen Zihao and others. As a representative of the older generation of embroidery artists, Kong Fanqi learned embroidery from her mother, a master embroidery master, since she was a child. After liberation, she collaborated with her husband, a master of traditional Chinese painting, to record the beautiful scenery of Suzhou and Hangzhou, known as the paradise on earth, on silk through embroidery, and the national treasure "The Golden Age" was born. In the mid-1980s, Chen Leshan wanted to take advantage of the spring breeze of reform and opening up to develop abroad, but he had no funds. So when his family was moving and his things were in disarray, he secretly hid the golden age that his mother had spent more than ten years working on and sold it abroad.
As the third generation of the Chen family, as a new generation entrepreneur with ideals, beliefs and abilities, Chen Zihao learned about this incident by chance. After going through many hardships, he was determined to return the national treasures that had been exiled overseas to the embrace of the motherland, and to bring paradise to earth again.
Concept: Youth has no price