In the first year of Heping, the murals in Wuxiang Temple lost their luster, and the copper foil was replaced with gold, which shocked the court.
Puning, a Buddhist disciple, once became a prisoner, but she endured it repeatedly and painted the cause and effect with her brush.
One stroke of writing off is a shocking case of desecration of Buddhism in which gold foil turns into copper foil; another stroke is a slight stroke and it is the silent death of prisoners in prison. Buddha talks about cause and effect, so she said, "Disciples use evil to stop evil, and they are willing to fall into perpetuity."
But she was the Bai Yueguang who was embraced by the Xianbei aristocrat Shaoqing Yuan.
The cold lamp in the prison was like a bean, illuminating Puning's pale face - Yuan Huai looked at his fiancée who should have died, but now she fell into the dirty mud and was covered with whip marks, but she did not want to raise her head and look directly at him.
"Little Master, it hurts so much..." She murmured unconsciously to wake him up. He knew clearly that she was acting and taking advantage of him, but the faded red rope on her wrist was still tied to the past.
The Buddha saved the world from suffering, but he did not save her. He was tied up by numerous serious cases.
Hiding gold from murder, smuggling of Buddha statues, driving piles to death, trapping and killing monks, strange phenomena in Yungang, witchcraft to change luck...
It wasn't until she was near death again that Yuan Huai realized that these were all her plots.
It turns out that she and they are all the same type of person.
Purpose: The power of faith is to make you you