"Nagato Fu: Dreams in the Golden House" takes the allusion of Emperor Wu of the Han Dynasty and Chen Ajiao as "the beauty hidden in the golden house" as the core, and delicately restores the rise and fall of this emperor-empress relationship within a historical framework.
When he was young, Liu Che once promised to "hide the beauty in a golden house", and his childhood sweethearts had a sincere and passionate love; but when the road to becoming an emperor unfolded, the decisive and murderous Emperor Wu of the Han Dynasty finally had to make a choice between lust for power and love. Chen Ajiao grew up from an arrogant and naive girl to a frustrated queen trapped in Nagato. She witnessed the death of Empress Bo, Emperor Jing of Han, Empress Dowager Dou and others, and fell into a mental dilemma as her relatives and friends died one after another. Finally, with the company and enlightenment of her mother Liu Piao, she broke away from her obsession with love and completed her self-salvation.
At the same time, Wei Zifu, who was born as a singer, moved through the harem with a smart and resolute attitude. Her gentleness and decisiveness were not only the armor for survival in the harem, but also became another mirror that reflected the emperor's coolness. The work is cut from a female perspective, and in the dust of history, it analyzes the game of power and love, and writes about women's sinking and self-rescue in the torrent of the times, so that the old dream of "hidden beauties in golden houses" finally settles on the new life of individual awakening.
Intention: to save oneself from sinking