Pu Qingman has a meek temperament, is not good at sociability, and longs for a life of steady flow.
Tao Zuo loves freedom and believes that stopping is a waste of life. He insists on recording the world with his lens and does not want to be restrained.
One time, Tao Zhu agreed to accompany Pu Qingman to attend the teahouse's anniversary celebration, but he missed the appointment because he received an unexpected invitation to shoot the Aurora. The two broke up after a big quarrel.
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Two years later, Tao Zuo was commissioned by a cultural and travel magazine to shoot a special issue of "Slow Life in the City". Pu Qingman's teahouse happened to be the best-known hidden teahouse in the area, and the two were forced to collaborate after a long separation.
During the filming, she appeared calm and composed, but in reality her fingertips were trembling slightly. When making tea for Tao Zui, she deliberately used the bitterest old tea.
He drank it without changing his expression and said with a smile: "It still tastes the same."
Pu Qingman, who was looking at the camera, was still very intellectual and beautiful, but he found that she no longer looked into his eyes.
This sense of gap was really difficult for him to accept.
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On a rainy night, Tao Zui rushed into the teahouse soaked to the skin and handed Pu Qingman a photo developed in the darkroom.
He used gold repair techniques to repair the broken teapot, and the cracks turned into golden rivers.
Pu Qingman choked and said, "So what if we repair it?"
Tao Zuo held her tea-scented hand: "The cracks will let the light in, just like you let me see my destination."
Purpose: Find freedom in slow life
