In Nancheng No. 3 Middle School during the cherry blossom season, transfer student Ruan Tian collided with a lonely boy Lin Yang in the falling powder snow. One is a baking girl with the scars of her parents' divorce, weaving warmth with flour and icing sugar; the other is a photography boy trapped in traumatic memories, using the lens as a shell to hide the stars. When the aroma of butter from the baking club collides with the smell of developer from the photography department, two broken souls quietly approach each other in the line between dawn and dusk in the corridor of the club - he uses a waterproof camera to record her stubbornness in rescuing cherry blossom cookies, and she hands him cookies with body temperature in the shadow of the corridor of his hospital.
From the first bloom of the cherry blossoms to the star-moon night talk, from the exchange of scars on the hospital rooftop to the confession under the cherry blossom tree when taking the college entrance examination, the oven made of mint candy paper, the 365-day bow hidden in the photo paper, and the scent of flour that never dissipates on the school uniform, together weave a youth fable about "domestication and being domesticated". When the camera finally no longer avoids each other's gaze, and when the warm light of the oven illuminates the starlight in each other's pupils, the two children who were lost in the rainy season of childhood finally learn to knead pain into the dough of life in the season of cherry blossom rebirth, and bake it into a sweet but not greasy poem of growth.
Concept: The me in your lens is brighter than the mirror, and the sweetness in my oven lasts longer than memory. It turns out that love is the courage to peel off each other's protective shell, and it is the ordinary warmth kneaded into life like flour and mints.
