Nuo dance, the oldest sacrificial dance of the Han people, uses a mask to cover the face, but who is under the mask?
The puppets are controlled by hanging threads to perform the joys and sorrows. Who is Master Yan behind the scenes?
The prince fell, powerful ministers usurped the throne, and great changes occurred in the kingdoms of the four great princes at the same time. Is there anyone behind this who is adding fuel to the flames?
Why did a large number of powerful people with hands and eyes suddenly appear in this small and unknown border country that evaded the country's leader, manipulated and seized the heirs, formed a large number of cliques, and protected each other between officials and businessmen?
Why do gods, kings, princes, princesses, and powerful people become puppets?
The prime minister, the general, the emperor, the godly woman, all of them are Nuo dancers wearing masks. What is the true identity behind the masks?
A mysterious person poisoned the water source, the tax system was drastically reformed, a huge flood hit, the Imperial College was abandoned and rebuilt, the secret erotic drama caused a life-threatening lawsuit, behind the scenes of each drama, who is the more skilled Yanshi?
A paradise becomes a training ground for silent fighting. What will be the final outcome?
The machinations of gods and monsters, plot-oriented, partial to group portraits
The sunny little general who knows the world but is sophisticated* The naive foodie and Machiavellian who knows everything about the world
Shuang Jie, childhood sweethearts
Two love brains, sinking soberly
"They are both cruel predators, fighting back to back. They are each other's weaknesses and shackles, tightening the iron chains of each other's sanity. Once one of them passes away and the shackles break, the predators will immediately reveal their true colors and kill without hesitation and scruple. No one can escape."
The idea: to amplify the cruelty of power struggles through supernatural forces, or to deconstruct the complexity of human nature from the perspective of gods and monsters, forming a confrontation between the sense of fate that "fate cannot be violated" and the rebellious spirit of "man can conquer nature."