Introduction to the novel
"When Gong Shangjiao Zhengyu encounters binary code, we will eventually find our own musical scale in the wave."
Shen Yanzhi, a guqin restorer in the ancient town of "Hemingfang" in the south of the Yangtze River, was forced to interrupt his studies at the Central Academy of Fine Arts because his grandfather was seriously ill and returned to his old house on the verge of demolition. Here, he met Lin Su, a talented programmer known as the "Digital Noise Making Machine" - on the surface, he is the rebellious captain of the e-sports team, but in fact, he is secretly developing the "AI Guqin Composition System" and trying to use technological means to save the intangible cultural heritage skills that are on the verge of being lost.
Two teenagers with completely different worldviews accidentally bonded over the "restoration of a century-old guqin "Crane Pine"": Shen Yanzhi insisted on the "feeling temperature" of ancient tuning, while Lin Su firmly believed that the algorithm could reproduce the thousand-year-old tone. From conflicting with each other to fighting side by side, they worked together to break through the disputes between campus societies, the crisis of forced demolition by the demolition team, and the shady secrets of the certification of intangible cultural heritage inheritors. The campus chapter takes the cultural hedging of "Guqin Club VS E-Sports Club" as a clue, while the social chapter focuses on the industry game of "digitization of traditional crafts." In the end, Shen Yanzhi became a pioneer in the promotion of intangible cultural heritage, and Lin Su developed the first Guqin AI teaching system, allowing the ancient strings to vibrate again in the digital age.
The story uses "strings" as the core image, connecting the "resonance" of broken string repairs, code compilation, and public opinion. It metaphors that tradition and modernity are not opposed, but can interweave a more brilliant star path.
Intention: "When Gong Shangjiao Zhengyu encounters binary code, we will eventually find our own musical scale in the wave."