Introduction to "Three Friends"
In troubled times, war breaks out, and close friends die together.
During the Jinghe period, Qingdu's prosperity concealed decay. Song Changwei, the eldest son of the General Mansion, is calm and resolute, Chen Juanguang, the new top scholar, is upright and upright, and Meng Yunmu, an amazing poet, is wild and uninhibited - the three of them became life-and-death friends because of a Shangyuan Lantern Festival.
However, the rebels pressed the territory and the foolish king fled south. The old oath finally turned into a bloody swan song:
- Song Changwei ~ Broken his spear and set up his flag, fighting until his corpse did not fall;
- Meng Yunmu~composing poems at the top of the city, smiling at thousands of troops with his horizontal sword;
- Chen Juanguang ~ Carrying the relics of his old friend, he alone defends the end of Qingshan.
"We don't seek to live together, but we seek to be condemned together!"
An ancient tragedy about friendship, loyalty and literary character, igniting the immortal soul of poetry in the ashes.
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Style positioning
- Ancient style and heroic spirit: merging the vastness of frontier fortress poetry and the smoothness of rivers and lakes atmosphere
- Group portrait portrayal: The bond between the three of them runs throughout, and each has its highlight moments.
- Tragic aesthetics: blood and poetry intertwined, emphasizing the classical romance of "a scholar dies for his confidant"
Intention: Core of intention:
"The character of a scholar is one who does not surrender to ignorance, but is loyal to his close friends and the common people."
Three levels of explanation:
1. Loyalty against nothingness
- The deaths of the three people were not due to foolish loyalty, but in response to their commitment to each other and the suffering of the people (Song Changwei protected the city, Meng Yunmu scolded the king, and Chen Juanguang passed the grain picture)
2. The common understanding between literati and warriors
- Break the prejudice that "a useless scholar is a scholar" and show the spiritual power that poetry can be used as a sword and a pen can be used as a sword.
3. The light behind the tragedy
- □□ dies but the spirit remains immortal (Chen Juanguang lives in seclusion to continue writing his posthumous works and complete his unfinished ambition)
Sublimation point:
To truly "live" in troubled times is to live as old friends expect.