On the vast grasslands of Altay, Kelsang flowers bloom enthusiastically year after year, just like the soul of Germa growing wantonly. She is a girl on horseback, befriending the sheep and keeping company with the breeze. Ayibta's white figure is the softest concern during her grazing time. Every inch of land here is engraved with her story, and every gust of wind tells her free and easy life. She thought that her days would be like the flowing Irtysh River, forever running towards the distance of freedom.
Until one sunny afternoon, a dusty off-road vehicle rolled over the meadow, breaking the eternal tranquility of the grassland. Shen Wangshu, a photographer who came from the steel forest, broke into Germa's world with a sophisticated lens and a longing for the western scenery. His viewfinder contains the delicacy and rationality of the city, while the grasslands of Germa are full of wildness and pure vitality.
When the tripod was set up in the sea of Gelsang flowers, when the sound of the shutter resonated with the sheep bell for the first time, two completely different souls began to resonate wonderfully. Germa didn't understand what time-lapse photography was, but she could lead him to find the most moving light when the wind blew; Shen Wangshu had never ridden a fierce horse, but he was so shocked by the starlight in the girl's eyes that he forgot to press the shutter. The wind in the grassland wrinkles the picture in the viewfinder, and also blows two originally parallel hearts. A story that spans regions and lifestyles quietly begins in the interplay of light and shadow.
The six common colors on the grassland are blue sky, white clouds, green grass, flowers, cattle and sheep, and the arrival of a certain photographer added a "seventh color" to this land.
Concept: Literary style