From being a sinner in the court to being a "female prime minister", from coloring books to slanting seals, Shangguan Wan'er spent her life explaining the most tragic dilemma of women in the Tang Dynasty:
When they try to break through the iron curtain of gender with their talents, the bronze mirror of history only reflects half of their makeup——
On one side is the imperial edict marked with cinnabar and red, and on the other side is the poem manuscript obliterated by splashing ink;
On one side is the unanswered "question of the female prime minister", and on the other side is the posthumous title "Hui Wen" that was torn to pieces.
This is a fateful dialogue, a tragedy where machinations and ideals are intertwined, a "colorful book of resentment", and one party's "film monument"!
Intention: Discussing the heart regardless of traces, shaping Shangguan Wan'er with the friendliest side