Pan Yu was reborn one day before Kuang Lianhai clashed with swords. This time, she wanted to take the path of Senior Brother Green Tea and leave Senior Brother with no way to go!
The two strong directions, the emotional direction, and the ending. Most of them are the characters of the original drama (except for the addition of a second female lead). The newly added main plot uses the Uighur line in the frontier as the bright line (Kuang Lianhai's atonement line), and the Luoyang Chaotang line as the dark line (Pan Yu's growth line). It is pure love! Only the ending is a little bit cary. It involves some childhood sweethearts, reunited after breaking up, and the old story of pretending to get married first and fall in love later.
From Kuang Lianhai's perspective, the theme of the original play is "loss". He lost his dignity, conscience and life step by step in gaining "fame". My sequel hopes to tell about his "redemption" and find his original self in the loss of his lover, achievements and name.
In addition, there are many issues that I want to discuss, such as what is love, how do people become good or bad people, duality and plurality, war and peace, etc. The belief changes of Guangkai Hanmen and the Uighurs during this period are generally in line with the historical reality of the era, but the timing has been adjusted.
Ooc apologized but tried his best to avoid it
Concept: atonement and self, war and peace, duality and pluralism
