During the Xuanxi period, the Fuyang River burst its banks three days ago. Shen Zhan, the daughter of the guilty minister, broke the Dengwen drum and painted a map of the river with blood to propose a flood diversion strategy for the mine. The Ministry of Industry dismissed her as a "temptress who confuses politics", and Princess Yuzhen laughed at her as "an ant fighting for life". However, she measured the mineral veins with an iron ruler, checked the earthwork with an abacus, and abruptly broke the thousand-year-old iron law that "women are not allowed to work."
The corpses in the mine lead to the corruption of the Lu family, the cold-forged iron rods propped up the dangerous embankment, and one hundred thousand female workers embedded their names and surnames into the bricks to build the Qingyun embankment. Pei Shaoheng, a servant from a poor family, exchanged a marriage certificate for her to enter the game, turned around and threw the "Test Strategy for Female Craftsmen" into the brazier; Princess Yuzhen Xuanjiawei washed the river embankment with blood, but saw the Dan family boat girls arrayed in rows, and the Iron Lady's Army melting swords into plowshares.
When the flood control plan was tampered with as a weapon for conquering cities and territories, Shen Zhan blew up his life's work with his own hands and threw out the "Daughters of Mountains and Rivers" in the flames: "Historical books do not record women's achievements, so they use the Yellow River as a monument and Qingyun as a character!"
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Technological Machiavellianism × Hardcore Water Conservancy Research × Ancient Women's Awakening
From Deng Wen's bloody remonstrance to Nanyang's quelling chaos, she used water control as a sword and carved the names of unknown people in the annals of history.
The idea: to use water conservancy technology as an edge to tear apart the shackles of gender and prove that women can also control the lifeblood of mountains and rivers.