Purpose: Let us shout loudly that there will be no female competition! The more heroes, the better!
The First World (The World of Cultivation Fairies)
I am the only master of the pavilion × the gentle and beautiful master (the master of the original protagonist)
The second world (the world of costume sweet pets)
The sick little green tea princess × the fresh-clothed and angry horse general
The third world (the world of ancient costumes and fake machinations)
The powerful eldest princess x the cruel and cold-blooded emperor (2012)
The Fourth World (Ancient Costume Counterattack World)
The female bandit mountain king
Wan Shengxiao traveled through time, and the target of the first world strategy was actually a time traveler. After completing the mission, she traveled to the next world. I don't know why the target of the strategy in the first world, Pei Muyan, traveled with her again. The system task was to help Wan Shengxiao complete side tasks. Later, it was discovered that every time Wan Shengxiao went to a new world task, all the targets of the previous world would also travel to the new world. The tasks were all to assist Wan Shengxiao. To do side tasks, Wan Sheng Xiao has the highest configuration in every world in this book, and the parallel space where the system is located is like an app. The system is an NPC that issues tasks with its own thinking system. The system of the male and female protagonists can even add friends to send messages through the air, and can also ask the god who created the world whether the tasks can be modified according to the situation. Generally speaking, every world is based on the tone of relaxed and sweet pets.
Purpose: I want to depict a powerful, beautiful and power-centered heroine who appears to be indifferent but is actually affectionate and righteous.
