"When this theater is demolished, the spirit that has been passed down for eight hundred years will be lost."
Shen Qingqiu, the Kun Opera Dancing Horse Dancing Master, clutched the disbandment notice of the troupe, the bruises on his wrists wrapped in sleeves aching.
Cheng Yan, an apprentice in the celadon workshop next door, burned the plum vase of the No. 7 Kiln, and the broken porcelain sliced his palm; the Pingtan girl Su Mingyue was asked to sing "Learn a cat's meow" in the live broadcast room, and the three-stringed string was broken; the paper-cutting successor Lin Xiaoman's "Butterflies Through Flowers" was ridiculed by tourists as "old-fashioned"...
On the day when folklorist Gu Huaijin stepped into the theater wearing AR glasses, the copper bells on the corners of the eaves moved automatically in the absence of wind.
He said: "The caisson of the ancient stage hides the code for the Eight Immortals crossing the sea. The opening of the celadon is the sky after the rain in Song Huizong's dream. The paper-cut patterns can spell out half of the history of Chinese totems - but these living civilizations should not be locked in museums."
So——
Dao Ma Dan's sleeves are wrapped around a drone, and he traces the trajectory of "Luo Shen Fu" in the night sky;
The celadon fragments were 3D scanned and transformed into swimming Dunhuang blue luan in the virtual world;
Pingtan mixed with electronic music, Wu Nong's soft words broke the glass curtain wall of the bar;
Baidie paper-cuts turn into neon signs, lighting up the cyber streets in the cultural and creative park...
When the last spotlight illuminated the renovated century-old stage, Shen Qingqiu stepped on the stage with auspicious cloud patterns projected by AR. The post-00s generation holding fluorescent sticks in the audience quietly overlapped with the figures of the Eight Immortals in the caisson painting.
Purpose: Explore new possibilities for cultural inheritance in the collision of tradition and trend