"Love is the moment when wisteria flowers fall in her hair, and it took me ten years to learn silence."
Lin Shen, a genius from the Department of Architecture, encounters medical student Su Jin in the library. A copy of "The Little Prince" and a bunch of wisteria flowers make the two lonely souls secretly resonate. He saw the old scar on her wrist, and she saw through the loneliness solidified in his drawings, but was cut off by a phone call the second before she touched the truth - the name of "Senior Cheng Yuan" on the screen dragged the three of them into a decade-long emotional dilemma.
The bond between the three people is like a broken star track: some are imprisoned in the name of love, some are retreating to make progress, and some are trapped in the aquarium of memory and become eternal bystanders.
Reunited ten years later, the bidding plan of the Shenzhen-Hong Kong Museum became a scalpel that opened the scars. The "suspended flower gallery" designed by Lin Shen hides the code of the wisteria flower rain. Su Jin's psychological clinic is filled with Cheng Yuan's paintings, and the last photo taken by Cheng Yuan at the aquarium before his death makes lies and truth float in the tide.
When the torrential rain of the past wetted the library's dome again, they finally understood:
Some love is destined to be like an upside-down wisteria, which is within reach but can only be looked up at;
Some guards are unfinished buildings, empty rooms housing eternal echoes.
This book is dedicated to:
All the watchers who have been the "third person" in love
Those unspoken good nights and good mornings
And those who still believe in spring even when the wisteria flowers fade.
Purpose: Explore the ambiguity of contemporary love and the modernity of loneliness in the emotional dilemma of "Three People Travel"