"He used a Northern Song Dynasty gilt button to test the composition of my tears and said that moonlight is the best adhesive."
Late at night in the restoration yard, Lin Qinghuan bumped into Shen Yanzhou cleaning a box of broken porcelain with ultrasonic waves. The sound wave map on the screen danced strangely, and it perfectly matched the rhyme of her unfinished lyrics. "This is Jianzhan singing about the moonlight of the Northern Song Dynasty that he has seen." He turned the work lamp, and the cracks in the porcelain pieces suddenly flowed out of the cracks of the Milky Way.
In order to complete the theme song for the cultural heritage documentary, she was forced to sign a confidentiality agreement and settle in the restoration home. At midnight when the electronic soundtrack resonates with the reverberation of the guqin, Shen Yanzhou is always waiting for her under the glass lamp - holding the raw lacquer used for gold inlay in his left hand, and carrying the loquat ointment to relieve her aphasia in his right hand. When Song Dynasty's Qin belly fell out of his parents' divorce agreement, and when battlefield footage revealed the truth that the sandalwood beads on his wrists were stained with blood, Lin Qinghuan finally understood:
Those restored cultural relics are not only history, but also their lives that are riddled with holes.
Concept: **"The cracks in cultural relics reflect the wounds in the human heart. Only the moonlight can simultaneously measure the thickness of thousands of years and the temperature of the heart"**
