After Breaking up with Her Idol Boyfriend, She Was Diagnosed with Sister-In-Law Disease

When Shuang Wenhui read it, it was very frustrating (haha), but it is true that he no longer pays attention to the sister-in-law, but wants to see any changes in Zhiyu. Hopefully she can stay at the table and be a game changer. Ps. The theme of the script in this chapter makes people sigh - women are really leading the rise of society!

Hey, why did I solve v? I suddenly received a notification in the background and everyone was confused.

Poor Jiagu, although you lost some, you gained two enthusiastic puppies.

Teacher... Do you still plan to continue writing? TAT... I really want to see the ending (crying) Damn ht...

Tsk tsk tsk, the glory of the Holy Father

It's really good-looking. There aren't many articles like this that are not sadistic, but funny, and the subject matter is okay.

This novel hugged me when I was little

Stories about the Republic of China are always inseparable from the smoke of the troubled times and the ups and downs of fate, but "Old Shadows Come to Spring" uses time travel as a guide, blending the fresh soul of a modern photographer into the shadows of begonia flowers in the deep houses of the Republic of China. Against the grand background of the warlords' melee, it unfolds a gentle redemption that belongs to Shen Huaixi and Xu Nianxin, giving the love in troubled times a different kind of delicacy and firmness. The beginning of the story sets up the collision of time and space with a very graphic touch: a sudden car accident caused the 21st century photographer Xu Nianxin to fall from the viewfinder into the deep house of the Republic of China, and caught a startling glimpse in Shen Huaixi's eyes. This setting seems to be a common routine in time travel novels, but it creates new ideas in the contrast of the characters' identities - Shen Huaixi is the concubine of the warlord of the Republic of China. She is trapped in a deep house and troubled times, hiding her edge and embarrassment, and living on a seemingly cold island; Xu Nianxin brings the independence and liveliness of a modern woman. With a camera in her hand, she is used to capturing reality and is good at finding light in the darkness. Two women in different time and space, with different souls, intersected due to this unexpected time travel. Their encounter was like a beam of spring light crashing into the cold winter, and like an island finally waiting for a boat to cross the sea. The author's portrayal of the characters' emotions is a highlight of this book. There is no industrial saccharine-style rapid heating up, but let the emotions slowly ferment in the fireworks and gunpowder smoke of the Republic of China. Shen Huaixi's revelation to Xu Nianxin is a lonely courage in troubled times - "I hide all my strength and embarrassment, but I dare to expose my weakness to you, and I dare to believe that you are my salvation"; Xu Nianxin's rush to Shen Huaixi is a sincere delivery across time and space - "In troubled times, this is the only person I can trust with my life and my sincerity." The begonia flower is an image that runs throughout, and this emotion is blended into the details. The spring when they first met, the blooming begonias when they reunited, and the flowers blooming and falling are the bonds between the two from strangers to dependence. It also smudged a touch of gentle romance on the desolate background of the Republic of China. The "double clean" setting and overhead background of the story also provide a purer space for expression of this emotion. The fictional background of the Republic of China avoids the heavy shackles of history, allowing the author to focus on the characters' hearts and emotional interactions; "double purity" allows the relationship between the two to be less troubled by the world and complicated by the past. In the turmoil of the turbulent times, they maintain a clean sincerity. This purity is particularly precious in the literature of the Republic of China, which is often full of interest disputes. Of course, the author's self-effacing "primary school student writing style" is indeed a small shortcoming of the book at this stage. The narration of some plots is a bit immature, the transitions between scenes are occasionally not smooth enough, and the depiction of the social landscape of the Republic of China could be more layered. But the flaws do not hide the flaws. The core skeleton of the story is moving enough. The character arcs of Shen Huaixi and Xu Nianxin have been established. As the plot advances to Chapter 13, the suspense of "Why is she here?" Also makes readers full of expectations for the two people's subsequent relationship and their destiny in troubled times. In the final analysis, the most touching thing about "Old Shadows Meet Spring" is never the ups and downs of the plot, but the deep love between the two women who cling to each other and redeem each other during the turbulent years of the Republic of China. It allows us to see that even if we are in troubled times, even if we are separated by time and space, sincerity and love can still penetrate the smoke and old shadows, and bloom the begonia flowers that belong to each other in the spring. Perhaps this is the charm of the literature of the Republic of China, to find tenderness in the desolation, to maintain the sincerity in the ups and downs, and "Old Shadows Meet Spring" is using his own brushwork to write such a passage worth seeing.

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Come on! Very powerful psychology.

This is great, I support it [bad laugh]

"Ryan could feel the old king's dissatisfaction with him, so much so that he could smash his crystal ball and create a magic barrier to isolate himself." This is a big bug for the author~ among > in public

I really love this writing style

Woohoo? Both girls are easy to discuss.

No one is watching and commenting on yourself (*? I`*)

From now on, the young couple will live a happy life.

Hahahahahahahahahahaha spatula

Cat Dragon: Master, don't leave me alone