Abandoning the usual magical techniques used in Liu Bowen's works in the past, it uses realism as the keynote, occasionally romantic techniques, Liu Bowen's ups and downs in his official career as the main line, and the peasant uprisings such as Fang Guozhen, Chu Shouhui, and Wu Chengqi as the background. It displays colorful pictures of various classes in the original and late stages in a polygonal manner. There are not only the fighting spirit of counselors, but also the magnificent land and sea battles. There are not only the tragic songs of Tai Buhua, Fan Zhijing, Shi Moyi and Sun, but also the generous lamentations of Wang Mian, Song Lian and Shi Naian. The leisure and elegance of the literati's socializing and banquets. The plot focuses on the evil and good of human nature and the righteousness and evil of the soul. It interprets the feelings of the literati in the late Yuan Dynasty that they did not care about personal honor and disgrace, but hoped that all people in the world would be safe.
Purpose: It explains that the literati in the late Yuan Dynasty did not care about personal honor and disgrace, but were willing to care about the world and the country.