Chu Xiang travels to the end of the novel. As a cannon fodder female supporting character, she is a victim of balancing literature and spends the rest of her life miserably with a marriage partner who is a combination of depression and schizophrenia.
The name of the marriage partner is Ji Xingzhi.
The reason why Ji Xing became a mental patient was because he couldn't love the heroine.
Chu Xiang looked at the house full of gold and cried: What a miserable life this is, she can only accept it with tears.
Everything was fine in life after time travel, except that Chu Xiang found that she would always encounter the heroine and the people around her when she went out.
She glanced at Ji Xingzhi: Staying shut like this gentleman was not an option.
The heroine can't talk about cross talk, nor can she listen to cross talk - Chu Xiang slapped his thigh and ran into Xuannan Garden, feeling very proud of himself in a box with a handful of melon seeds.
One day when she went to Xuannan Garden again, someone grabbed her.
Ji Xingzhi, a mentally ill person with an air of appearance, said: "Where are you going? Pin me on your waistband and take me out."
Prime Minister Chu:?
Later, Xiang Chu learned that Ji Xingzhi's depression and schizophrenia were due to love.
This young prime minister who traveled from ancient times became completely depressed after three years of floating up and down in the whirlpool of Ba Zong's novel as the "unlovable supporting actor".
Chu Xiang: "Then you will talk cross talk with me?"
Ji Xingzhi: "Daydreaming!"
Prime Minister Chu: Okay, now you are my admirer.
The female protagonist cannot do cross talk, and the male protagonist cannot be used as a compliment, but cannon fodder can.
Highlight
The grumbling graduate heroine vs. The vicious-tongued young prime minister from ancient times to the present
It's a piece of free-spirited work that makes no sense.
There are many talking points in the article, focusing on talking about cross talk for ten thousand years
Intention: Optimistic attitude towards life