After the grandfather who raised Cheng Sha for eighteen years passed away, he was brought back to Cheng Mansion.
Life is suddenly filled with all kinds of mysteries, including the grandfather who looks younger than ordinary people, the last room with the door always locked, and the thin white woman in red clothes coming one after another...
Not only that, Cheng Sha's daily life is also full of being sacrificed by different players to clear the level, repeatedly going crazy and blackening and reincarnating, and his own brother was brutally killed in the plot...
But for Ye Qiu Ming, this is just a thrilling holographic horror game that requires him to play a key role.
In a certain reincarnation, when the NPC encountered Ye Qiu Ming, a player who was full of lies and wanted to sacrifice himself to clear the level at the beginning, this guy went astray "for no reason", and suddenly he didn't want to sacrifice Cheng Sha, the resentful seed, so Cheng Sha finally realized: I am a grudge seed when I step on the horse.
The NPC of Resentment was dragged into reality by the madman who wrote the game script to play an even crazier game. It is commonly known as the electronic figurine. However, the Resentment was not satisfied with his script.
Cheng Sha: How to solve the dark plot of dissatisfaction? "Simple", successfully found the playwright and beat him up, and then started to revise it.
Ye Qiu Ming: Question, how do you break the story of a resentful supporting character who falls in love with the game? It's simple, help him find a script writer, help him fix the problem, and support him in writing a new script.
Internal friction, wife slave beauty, player attack & not very internal friction, logical self-consistency, resentment type NPC.
Note: It looks like polyamory at the beginning, but it is actually 1v1, and the attacker appears. The first dungeon involves a slightly longer protagonist, and the later ones will be shorter. It essentially involves beating monsters, role-playing literature, and the big boss at the end.
There are alternating perspectives of attack and reception, as well as certain perspectives of supporting characters. What is true may not necessarily be true, and what is false may not necessarily be false. The characters may be acting, and all actors are involved.
An imaginary setting that has nothing to do with reality.
Intention: When you can't hold on, you won't be able to hold on even if it's difficult.
