Hazel travels to 19th century London.
London is prosperous, but she lives in a slum.
I also lost my loved ones and had to live under someone else's roof.
In winter, I was forced to wash my clothes in cold water and rub the skin off my hands.
I ate boiled potatoes every meal, but never saw white bread.
Hazel had to work as a flower girl.
Being a flower girl has low income, hard work, and is not a good job.
Hazel, who was in a flower shop in her previous life, was very happy:
Great job!
She wants to use modern floral arrangements and marketing methods to reduce the dimensionality of the nineteenth century!
Pick tulips in spring and purple water lilies in summer,
There are gerberas in autumn and Christmas trees in winter.
Use bouquets of flowers in exchange for white bread, grilled sausages, cream cheese rolls, and a wealthy and happy life for the whole family.
●◆●◆●◆●
Pre-collection of "The Flower Girl of the Northern Song Dynasty":
Duan Daozhen was unfortunate enough to be transformed into an ordinary little maid.
Low status, no freedom, often wronged.
The bowl is filled with vegetarian dishes, and there is hardly a piece of meat.
Wear hard coarse cloth and cannot afford cotton-padded jackets in winter.
Living in a crowded Datongpu, the space is small and drafty in winter.
Looking at the time, it is only 10 years before the demise of the Northern Song Dynasty, and the war is coming.
Don't panic! She is a highly skilled florist in modern times.
It happened that the wealthy people in the Northern Song Dynasty were very elegant and liked to arrange flowers.
But talented florists are rare and hard to find.
Duan Daozhen: Isn't this a professional counterpart?
She amazed the ancients with her modern floral art, and became a florist that people were eager to hire and a flower shop owner who made a lot of money every day.
●◆●◆●◆●
Pre-order "Pygmalion of the Republic of China":
Travel to Shanghai in the Republic of China.
On one side, there is a foreign market ten miles away, full of life and wealth;
On one side is a dark alley where poor people live.
The owner lives in a room of a few square meters in a Shanghai alley.
The space is so small that you can't even turn over while lying on the bed.
However, she had just successfully escaped from her marriage and left her feudal family.
A new life is just around the corner——
Go sell flowers. There will be noodles mixed with scallion oil, as well as fried pork cutlets and buns.
●◆●◆●
Purpose: Build a better life through struggle
The heroine didn't even appear in this chapter. To be honest, I didn't want to pay to read the supporting character's story. [Covering face, laughing and crying]
This chapter is completely over the top. From these two chapters, the plot goes so outrageously that it makes people want to quit.
(On the contrary, I paid to read the entire book from the time it was updated. I spent money to read the book, not in vain. As a consumer, I have the right to evaluate it.
There are always such nasty things, and I'm starting to hate this article.
I also think it's better to return to the main line of selling flowers.
I sincerely suggest that this book is called Pygmalion, not a collection of medieval stories. The author can focus on the main plot, writing about the protagonist's flower selling, and some problems that may be encountered in the middle, and gradually escalate. These sub-line main characters cannot be called, and they are not throughout the whole text. There is no need to describe too much.
Why write so many stories about scumbag men that have nothing to do with the main plot?
And it felt too deliberate to me. Michael's family must have lived much longer than the heroine. If he hadn't discovered it earlier, he wouldn't have discovered it later. It was too deliberate to have the heroine come to find out the ordeal, and it was just a scar. I decided that his children didn't feel weird at all when they get along. I think there should be a little bit of affection between blood relatives. For example, many separated brothers and sisters may eventually become husband and wife, just because of their favorability. That kind of innate closeness will exist as long as there is no big hatred.
Like Juliet, after she kills her husband and has no contact with the lady, there is no need to describe her ending. Her ending can be left to the imagination of the audience. There is no need to explain the ending of each character, and this has nothing to do with the main plot. It is recommended to indicate it.
If you want to write about a woman who gives herself a baby boy, no matter what her abilities or conduct, she will become unlucky. Can it be smoothly integrated into the story? It's so abrupt every time. Every time I buy a new chapter, I want to see the heroine's development, but after buying it, I get an interesting story that has nothing to do with the heroine's career. It's a waste of time.
I feel like each of the supporting characters is more miserable than the last [question mark] [question mark] [question mark] Even the neighbor who thought he was married to the heroine who hooked up with that young lady had successfully established a foothold in the family by relying on this, but later it was suddenly written that his husband was with his lover, and it became miserable! Met a landlord who got off to a good start and then got married?
The heroine didn't even appear in this chapter. To be honest, I didn't want to pay to read the supporting character's story. [Covering face, laughing and crying] This chapter is completely over the top. From these two chapters, the plot goes so outrageously that it makes people want to quit. (On the contrary, I paid to read the entire book from the time it was updated. I spent money to read the book, not in vain. As a consumer, I have the right to evaluate it.
There are always such nasty things, and I'm starting to hate this article.
I also think it's better to return to the main line of selling flowers.
I sincerely suggest that this book is called Pygmalion, not a collection of medieval stories. The author can focus on the main plot, writing about the protagonist's flower selling, and some problems that may be encountered in the middle, and gradually escalate. These sub-line main characters cannot be called, and they are not throughout the whole text. There is no need to describe too much.
Why write so many stories about scumbag men that have nothing to do with the main plot?
And it felt too deliberate to me. Michael's family must have lived much longer than the heroine. If he hadn't discovered it earlier, he wouldn't have discovered it later. It was too deliberate to have the heroine come to find out the ordeal, and it was just a scar. I decided that his children didn't feel weird at all when they get along. I think there should be a little bit of affection between blood relatives. For example, many separated brothers and sisters may eventually become husband and wife, just because of their favorability. That kind of innate closeness will exist as long as there is no big hatred.
Like Juliet, after she kills her husband and has no contact with the lady, there is no need to describe her ending. Her ending can be left to the imagination of the audience. There is no need to explain the ending of each character, and this has nothing to do with the main plot. It is recommended to indicate it.
If you want to write about a woman who gives herself a baby boy, no matter what her abilities or conduct, she will become unlucky. Can it be smoothly integrated into the story? It's so abrupt every time. Every time I buy a new chapter, I want to see the heroine's development, but after buying it, I get an interesting story that has nothing to do with the heroine's career. It's a waste of time.
I feel like each of the supporting characters is more miserable than the last [question mark] [question mark] [question mark] Even the neighbor who thought he was married to the heroine who hooked up with that young lady had successfully established a foothold in the family by relying on this, but later it was suddenly written that his husband was with his lover, and it became miserable! Met a landlord who got off to a good start and then got married?
It makes me a little sick