Nanke Dream

I have useless wood, and there is no country without trees. There is a lot of sad wind on it, which is as long as white hair. For a while, I slept with him, chatting happily and happily. In the morning, you will get dirt, and in the evening, you will get yellow rice. This article is an ancient fiction that takes place in the Wu You Dynasty of Zixu Kingdom. It is a ridiculous story written in childish language. There is one bright line and two dark lines. Most of the bright lines are scattered and happy daily life, and the dark lines are the spiritual world line and the transformation line, which are not picked out until the plot progresses more than 80%. Only after picking them out can you discover what is hidden under those seemingly ordinary daily routines. For example, the shouting at the end of the story actually corresponds to the ending strictly in the order of occurrence. These cries appear at the beginning of the story, but completely reversed. In the market place with the smell of fireworks at the beginning, everything seemed so peaceful and ordinary. But at the end, things have changed and there have been too many deaths and sacrifices. That completely upside-down cry seemed to confirm that Mei Renxing's time had passed, and everything could go back to the starting point and start over. It seems to be denying that some things have really happened and can never be reversed. Only this street is bustling and everything remains the same. Many ordinary words actually hint at the ending. For example, in Chapter 1, the senior brother holds Jiao Jiao's hand and says, "We will get separated." However, he and Jiao Jiao are separated throughout the book. In Chapter 42, they are physically separated, and in Chapter 72, they are completely separated mentally. At that time, the second senior brother also held Jiao Jiao's hand and said, "He will be trampled into meat sauce." In the end, all he saw was the meat sauce in the bun. Many daily plots actually correspond to the later irregularities. For example, the echo between the picture album, the stone tablet, and the torture platform, the symbolic meaning of the peach wood, the thunder platform, and the swing pot, and the shadow of the endings of Ren Xing and Jiao Jiao in the stories of Chang An, Wu Yuan, and Wei Cheng. The spiritual boundary line is picked out at the beginning of Chapter 73, based on the conversation that Mei Renxing did not hear when she was lying by the window in Chapter 22, and some strange things that happened before and after that chapter will be explained. The reform line is based on the reform of Wang Anshi and Zhang Juzheng. It was picked out in Chapter 76 and revealed through the guesses of Ren Xing and Jiao Jiao. It is from a side perspective from beginning to end. Most of them are conspiracy, which means that even if you guess the layout, you can only follow Prime Minister Mu's layout and proceed step by step. Unfortunately, as in history, it ended in tragedy. The structure of the novel also draws on the "Chapter Overdubbing" technique in The Book of Songs, which can be divided into two or three parts. If you divide it into two points, you will find that Chapter 45 is already a preview of Jiao Jiao's ending in this life. If it were divided into three parts, you would find that Chapter 30 ("Everyone betrays their relatives and leaves, and no bones remain") and Chapter 60 ("A few times the gods are buried in the sky, and there will be no loss of voice") are the endings that Jiao Jiao had foreseen, but one will happen in this life, and the other has not happened yet, but will definitely happen in a future life. I also have a book "full of nonsense", but unfortunately... Intention: I have good intentions, even though I died nine times, I still have no regrets