As the eldest son of the Kamado family, Kamado Hiirago has been weak and sickly since he was a child. He often gets colds, fevers, anemia and faints. Although he and Kamado Tanjiro are twins, he started talking much later than Tanjiro.
It wasn't until he became a ghost that he remembered his past life.
Po Meng, this soup is mixed with water! !
But why is he still weak and sick after becoming a ghost? Apart from the excruciating pain of being exposed to the sun, what is the difference between this and being a human being? ?
Hiiragi, who is force-fed every day as a medicine that can overcome the sun without mercy, is also working hard to fight back today (he did not
——————
No CPx vest x The author doesn't know what the label is
This is just for fun, I will update it as I see fit.
Actually, I want to eat narcissus, but I feel like Tanjiro will go directly to bask in the sun when he becomes a ghost. In short, it is written as no CP.
Possible red herrings: The protagonist looks the same as Tanjiro but has no scars, making him a perfect fit. Sankan follows Tanjiro (the younger brother and sister control the stone hammer)
Intention: Why did I become a swordsmith?
Reader comments
Has it been updated today? No?
Love it, love it! ! ! Come on!
Ah... One update per month.........
It's been a month, don't be fooled
It's been 25 years, are you finally alive?
Looks good, come more! Horikawa is such an angel [Get rich]
① Jing Hu as the main performer... A selection from "Qingchen Shou" editor-in-chief Xie Qiuyun, starring Xie Qiuyun
②[Seal of Law and Order] Intermediate skill of Seal Dao
③Spinning Thread of DestinyCore skillSpinning Thread of Cause and EffectAdvanced skill of weaving a path
④Micro words and great meaningsIntermediate literary skills
⑤[Ten Thousand Arms Piercing Yi] Core Skills [Ten Thousand Techniques Flaws] High-level Battle Skills
"Qing Chen Shou"
· Aman
Board type: Xipi Allegro turn-spread board
Allegro section: Jinghu as the main instrument, accompanied by board drums and small gongs, the rhythm is fast and lively, highlighting the anxiety of wandering through the ruins to seek dust; when waving the gold shovel, the small gongs are tapped to enhance the sense of frustration.
- Sanban section: Jinghu turns to a low and sad tune, the bangu slows down, and the erhu auxiliary is added. When beating the chest and stamping the feet, a blow of the gong shows regret. When raising the shovel to the sky, the soft sound of cymbals adds perseverance.
Allegro starts: Aman stands in the left area of the stage holding a gold shovel, facing the direction of Kunlun Ruins (rear right), with the tip of the shovel touching the ground, his steps jumping in time with the rhythm, and his eyes eager.
When singing "One Step for Good and One for Evil": Turn around and face the audience, hold the shovel across your chest, frown, and tense your body.
Turning the Scattering Board: Retreat to the ruined monument, hold the monument with your left hand, beat your chest with your right hand, step back step by step, with a sad tone; when singing "I'm willing to die even", step suddenly, lift the shovel over the top, look straight ahead, and freeze for 3 seconds.
Dan·Qingyi Xiaotang
Pattern: Erhuang adagio to rocking board
Ban Adagio section: With the Beijing Erhu as the main instrument, paired with the Yueqin and the Sandalwood Banner, the rhythm is slow and long. When you are suffering from poison, the light playing of the Yueqin makes you feel weak; when you sing "The Two Characters of Broken Stele", the gentle tapping of the Tanban is like a weak heartbeat.
Rocking section: Jinghu joins in, the rhythm becomes faster, and the intensity of the yueqin increases slightly. When struggling to stand up, the bangu lightly hits, and when raising the hand, the overtones of the guzheng shine brightly, which reflects the strength of the character.
Adagio starts: Xiaotang holds Aman's arm and stands in the center left area of the stage. Her body is weak, her steps are staggering, her eyes are distracted, and she is swaying slightly with the singing.
Singing to "Don't teach the spirit dust to turn into disaster": he broke away from the support, staggered towards the broken stele, his fingertips lightly touched the inscriptions on the stele, his breath was weak, and he almost collapsed.
Turning the rocking board: Being helped up by Aman, although his body was unstable, he suddenly raised his head, his eyes were clear, and his fingertips trembled slightly when he raised his hand. When he sang "Shine the Light of the Righteous Path", he straightened his arms and pointed at Kunlun Ruins, and stood upright until the end of the singing.
[Jing·Big Painted Face Mo Xuan]
Plate type: painted face and two yellow guide plates turning back to the dragon
Lead section: The big gongs and cymbals started in unison, the Jinghu played explosive sounds, and the board drums were as fast as thunder, which heightened the oppressive feeling of the sudden black wind; when singing "Black Wind Blows", the big drum hit hard, shaking the whole audience.
Hui Long + Original Ban Section: Jing Hu turns to a rough tune, paired with the suona, the tone is high and wild; when laughing wildly, the small gongs and bangu crisscross in rapid succession, showing the demonic nature.
The guide starts: Mo Xuan stands in the right area of the stage, with his black robe flying, his hands spread like claws, facing the direction of Jiu Yusheng (left area), stamping on the ground, and hitting the ground with each step.
Singing to "The Three Realms Will Be Bowed": He pointed his finger at the source of green dust in the center of the stage, leaned forward with an imposing manner, and swept the hem of his black robe across the ground.
Original segment: Walking around Qingchenyuan, every time he sang a line, he raised his hand and waved, and the black gas special effects surged from the side of the stage; when he sang "Eternal Owl", he looked up to the sky and smiled, raising his hands above his head. When the freeze frame was reached, his face was facing the audience, showing his ferociousness.
[Mo·Laosheng Xuan'a]
Plate type: Laosheng Erhuang original plate to clear plate
The original section: Jinghu is the main part, with three-stringed strings and sandalwood boards. The rhythm is calm and simple. When singing vigorously, the three-stringed strings are lightly plucked; when the sleeves are brushed, the sandalwood boards ring softly, showing the spirit of immortality.
Clear section: Most of the instruments are removed, leaving only the soft chanting of Jinghu, and the voice gradually weakens; when the wind turns into wind, the sound effect of wind chimes is added to make it ethereal and distant.
From the original board: Xuan A stands in front of the source of green dust (center of the stage), dressed in plain green robes, holding a blade of grass in his hand, his steps are slow and steady, every time he sings a line, he flicks the blade of grass, his eyes are filled with compassion.
Singing to "Hearts are prone to misfortune": Turn around to face the ruined monument, raise your hands to flick your sleeves, your clothes are flying, and your body is as tall and straight as a pine tree.
Clear section: Slowly walking towards the back of the stage, the pace gradually slows down, the figure gradually disappears, and the grass leaves fall; when singing "It is the pulse of the human heart that is guarded", the figure disappears completely, leaving only the sleeves fluttering in the wind and the wind chimes ringing softly.
[Chou·Wen Chou Grandpa Shi]
Plate type: Xipi flow
The whole process is dominated by jinghu, bangu, and small gongs. The rhythm is brisk and jumping, and the tapping of wooden fish is added to add a sense of humor. When you clap your legs and laugh, the small gongs hit continuously, and when you knock the pipe, the wooden fish makes a sound, which is full of fun.
When starting to sing: Grandpa Shi is standing on the side of the stage (front left), holding a cigarette bag, twirling his beard and shaking his head, his steps moving in small steps to the rhythm, his eyebrows arched.
Singing to "Telling the Story": Walking to the center of the stage, pointing the pipe in the direction of Aman and Xiaotang, shaking his head in a mocking tone.
Singing "Look at the ruins above": retreat to the ruins of the monument, stand leaning against the monument, tap the pipe on the monument, squint your eyes and hum the song, slap the pipe at the end, laugh out loud, and when you freeze, your eyebrows are smiling and your expression is leisurely.
The theme song of "Qing Chen Shou"
"Wind in the Ruins"
Style: Ancient and desolate tone, the intro is blended with the sound of wind and jade breaking, the chorus is high-pitched and distant, and the outro fades away like the wind blowing through the ruins.
Lyrics
Verse 1
On the top of Kunlun Mountain, snow is growing and jade chips are falling all over the body
The pile of green dust, the remaining inscriptions on the stele, the ink is not stained by dust
Nine Corners Array, Grass and Wood Patterns, To Suppress Three-Point Arrogance
Xuan A's clothes are as green as ever and have lasted for hundreds of years at dawn and dusk
Verse 2
Touch the golden talisman, stain it with frost marks, knock on the door and ask for an inch
The bone beads are cold, the poison is deep, and it is difficult to break the root of obsession
Xiaotang Yu: Angry in Dreams, Don't Destroy the Soul in the Ruins
Aman vows to die with his life and not to teach evil spirits to come close to him
Chorus 1
The wind above the market blows across the mountains and sea for several miles
The piety of dust-keepers cannot be blown away
There is no good or evil in the world, but the human heart is divided into turbid and pure
One thought becomes a devil, one thought leads to life
Bridge section
Black Flag Scroll, Demonic Energy, Formation Eye Burning Spiritual Root
Jade fragments fly, the wind swallows, and the body turns into wild hazel
Inscription on the stele Mo Shangwen Liu and later generations' discussion
What is guarded is the dust, what is guarded is the heart and soul
Chorus 2
The wind above the market blows through the years
The sincerity of the heirs cannot be blown away
The mountains are connected, and the plants and trees also know their kindness.
Year after year, the market becomes dusty
Final sentence
(harmony fades)
The complete score and arrangement of "The Wind on the Ruins"
Basic genre settings
Mode: D palace tune (ancient orthodox palace tune, desolate and distant, the high range is wide and suitable for the chorus)
Time signature: 4/4 (Andante, ♩=72, intro gradually slows down to ♩=68, chorus rises slightly to ♩=76)
Emotional context: cold and forbearing → gloomy narrative → high-pitched and sincere → desolate and relieved → long aftertaste
Complete musical notation (with lyrics, digital musical notation, 1=D)
Intro (8 bars, no lyrics, purely instrumental)
Melody: | 3 - 5 - | 6 1' 5 - | 3 5 6 5 | 3 - - - |
| 2 - 3 - | 5 6 1' 2' | 6 5 3 2 | 1 - - - ||
Orchestration sound effects: wilderness wind sampling, jade chime tapping (feeling of broken jade), guzheng overtones, cello long tones, no drum beats, ethereal white space
Main song 1 (♩=72, gentle humming, cool voice)
On the top of Kunlun Mountain, snow is growing and jade chips are falling all over the body
3 5 6 1' 6 5 3 2 3 -
The pile of green dust, the remaining inscriptions on the stele, the ink is not stained by dust
2 3 5 6 5 3 2 1 2 -
Nine Corners Array, Grass and Wood Patterns, To Suppress Three-Point Arrogance
3 5 6 1' 2' 1' 6 5 6 -
Xuan A's clothes are as green as ever and have lasted for hundreds of years at dawn and dusk
5 6 1' 2' 3' 2' 1' 6 1' -
Verse 2 (the rhythm is the same as verse 1, the mood is slightly darker, and the pronunciation is slightly heavier)
Touch the golden talisman, stain it with frost marks, knock on the door and ask for an inch
3 5 6 1' 6 5 3 2 3 -
The bone beads are cold, the poison is deep, and it is difficult to break the root of obsession
2 3 5 6 5 3 2 1 2 -
Xiaotang Yu: Angry in Dreams, Don't Destroy the Soul in the Ruins
3 5 6 1' 2' 1' 6 5 6 -
Aman vows to die with his life and not to teach evil spirits to come close to him
5 6 1' 2' 3' 2' 1' 6 1' -
Chorus 1 (♩=76, the vocal range is raised, high and far-reaching, full of power)
The wind above the market blows across the mountains and sea for several miles
1' 2' 3' 5' 3' 2' 1' 6 5 -
The piety of dust-keepers cannot be blown away
5 6 1' 2' 3' 2' 1' 6 1' -
There is no good or evil in the world, but the human heart is divided into turbid and pure
3' 5' 6' 5' 3' 2' 1' 2' -
One thought becomes a devil, one thought leads to life
5' 6' 5' 3' 2' 1' 6 1' -
Bridge section (tempo tightens, melody ups and downs, full of pathos, semitone progression)
Black Flag Scroll, Demonic Energy, Formation Eye Burning Spiritual Root
6 1' 2' 3' 2' 1' 6 5 3 -
Jade fragments fly, the wind swallows, and the body turns into wild hazel
5 6 1' 2' 3' 5' 3' 2' 1' -
Inscription on the stele Mo Shangwen Liu and later generations' discussion
2' 3' 5' 6' 5' 3' 2' 1' 6 -
What is guarded is the dust, what is guarded is the heart and soul
1' 2' 3' 5' 3' 2' 1' - -
Chorus 2 (same melody as Chorus 1, more emotional, can add harmony)
The wind above the market blows through the years
1' 2' 3' 5' 3' 2' 1' 6 5 -
The sincerity of the heirs cannot be blown away
5 6 1' 2' 3' 2' 1' 6 1' -
The mountains are connected, and the plants and trees also know their kindness.
3' 5' 6' 5' 3' 2' 1' 2' -
Year after year, the market becomes dusty
5' 6' 5' 3' 2' 1' 6 1' -
Final sentence (harmony fades, a cappella + light instrumental music, returns to the ethereal)
(The harmony fades) The wind is still there, the dust is still there, and spring is born again in the ruins.
1' - 2' - 3' 2' 1' 6 5 3 2 1 - - -
Ending (8 bars, same melody variation as the intro, fading to silence)
Melody: | 1 - 2 - | 3 5 6 5 | 3 2 1 6 | 5 - - - |
| 3 - 5 - | 6 1' 5 3 | 2 1 6 5 | 1 - - - ||
Orchestration: Only the sound of the wind, the single note of the guzheng, and the overtones of the cello are left. The volume decreases step by step, and finally only the sound of the wind is left blank.
Arranger and Orchestrator
Prelude layer (ethereal foreshadowing)
Core sound effects: ambient wind sound (low wind in the wilderness, no noise), jade chime breaking sound (high frequency tap, simulates jade breaking), chime overtones
Main instruments: guzheng (overtone playing method), cello (long tones and low notes), bamboo flute (airy long tones, no actual blowing)
Rhythm: No percussion, all blank, highlighting the feeling of loneliness and desolation
Main song layer (gentle narrative, vocal-led)
Core instruments: Zhong Ruan (plucked main melody, warm and low), Xiao (interlude filling, light blowing), bass zither (broken chords)
Auxiliary: slight tambourine (muffled, 1 beat per measure, weak intensity), suede drum (very weak bass drum, does not steal the vocals)
Processing: Lower the volume of musical instruments, increase the proportion of dry vocals, enunciate clearly, and create a monologue feeling
Chorus layer (high-pitched and open, with full layers)
Core instruments: bamboo flute (actual playing of the main melody, high-pitched and long-lasting), erhu (string harmony, full of emotions), dulcimer (quick decomposition of chords)
String section: violin + viola + cello playing in unison, widening the sound field
Percussion: Chinese bass drum (heavy beat and weak attack), cymbals (light rub, embellishment of climax)
Processing: Increase the overall volume of the track, add reverb (hall reverb, simulate the sense of openness in the wilderness), and add two-part harmony to the second chorus
Bridge layer (tragic and ups and downs, full of tension)
Core instruments: suona (light blowing, not sharp, creating a sense of tragedy), guqin (scattered tones + pressed tones, thick and low), chimes (accent embellishment)
Percussion: Chinese Paigu (intensive rhythm, heightening the sense of tension), Bass Drum (heavy beat and strong attack)
Processing: The rhythm of the melody is tightened, the density of instruments is increased, creating a tragic feeling of "sacrifice oneself", the last sentence suddenly ends weakly, and connects to the chorus
Ending sentence + ending layer (fading away, letting go, returning to the true nature)
Core instruments: only the guzheng single tone, jade chime, and cello overtones are retained
Sound effect: The sound of wind gradually weakens, and finally only a very light sound of wind is left.
Processing: The vocal harmonies fade out layer by layer, and the last line is sung a cappella to end. There are no unnecessary instruments, which fits the setting of "Russian wind blowing".
The main song is sung in a low-pitched manner, with a cool and restrained voice, and a soft enunciation of the words, which fits the forbearance of "a hundred years of keeping dust", and the breath is smooth and long.
Chorus singing: Open the cavity, raise the vocal range, and have sufficient breath support to sing a high-pitched and distant texture. The second chorus adds male and female harmonies to enhance the sense of heaviness.
Singing in the bridge section: the emotion reaches the peak gradually, with strong articulation and a slight vibrato at the end, which deduce the tragic and solemn feeling of "burning the spiritual roots and turning the wild hazel". Finally, "the heart and soul are guarded" is weak and the breath slows down.
The last line is sung: a combination of soft voice and breathy voice, the harmony gradually weakens, the last word is prolonged and fades out, blends with the sound of the wind, and the aftertaste lingers.
Editor/Starring: Xie Qiuyun
Has it been updated today? No?
Love it, love it! ! ! Come on!
Ah... One update per month.........
It's been a month, don't be fooled
It's been 25 years, are you finally alive?
Looks good, come more! Horikawa is such an angel [Get rich]
① Jing Hu as the main performer... A selection from "Qingchen Shou" editor-in-chief Xie Qiuyun, starring Xie Qiuyun ②[Seal of Law and Order] Intermediate skill of Seal Dao ③Spinning Thread of DestinyCore skillSpinning Thread of Cause and EffectAdvanced skill of weaving a path ④Micro words and great meaningsIntermediate literary skills ⑤[Ten Thousand Arms Piercing Yi] Core Skills [Ten Thousand Techniques Flaws] High-level Battle Skills "Qing Chen Shou" · Aman Board type: Xipi Allegro turn-spread board Allegro section: Jinghu as the main instrument, accompanied by board drums and small gongs, the rhythm is fast and lively, highlighting the anxiety of wandering through the ruins to seek dust; when waving the gold shovel, the small gongs are tapped to enhance the sense of frustration. - Sanban section: Jinghu turns to a low and sad tune, the bangu slows down, and the erhu auxiliary is added. When beating the chest and stamping the feet, a blow of the gong shows regret. When raising the shovel to the sky, the soft sound of cymbals adds perseverance. Allegro starts: Aman stands in the left area of the stage holding a gold shovel, facing the direction of Kunlun Ruins (rear right), with the tip of the shovel touching the ground, his steps jumping in time with the rhythm, and his eyes eager. When singing "One Step for Good and One for Evil": Turn around and face the audience, hold the shovel across your chest, frown, and tense your body. Turning the Scattering Board: Retreat to the ruined monument, hold the monument with your left hand, beat your chest with your right hand, step back step by step, with a sad tone; when singing "I'm willing to die even", step suddenly, lift the shovel over the top, look straight ahead, and freeze for 3 seconds. Dan·Qingyi Xiaotang Pattern: Erhuang adagio to rocking board Ban Adagio section: With the Beijing Erhu as the main instrument, paired with the Yueqin and the Sandalwood Banner, the rhythm is slow and long. When you are suffering from poison, the light playing of the Yueqin makes you feel weak; when you sing "The Two Characters of Broken Stele", the gentle tapping of the Tanban is like a weak heartbeat. Rocking section: Jinghu joins in, the rhythm becomes faster, and the intensity of the yueqin increases slightly. When struggling to stand up, the bangu lightly hits, and when raising the hand, the overtones of the guzheng shine brightly, which reflects the strength of the character. Adagio starts: Xiaotang holds Aman's arm and stands in the center left area of the stage. Her body is weak, her steps are staggering, her eyes are distracted, and she is swaying slightly with the singing. Singing to "Don't teach the spirit dust to turn into disaster": he broke away from the support, staggered towards the broken stele, his fingertips lightly touched the inscriptions on the stele, his breath was weak, and he almost collapsed. Turning the rocking board: Being helped up by Aman, although his body was unstable, he suddenly raised his head, his eyes were clear, and his fingertips trembled slightly when he raised his hand. When he sang "Shine the Light of the Righteous Path", he straightened his arms and pointed at Kunlun Ruins, and stood upright until the end of the singing. [Jing·Big Painted Face Mo Xuan] Plate type: painted face and two yellow guide plates turning back to the dragon Lead section: The big gongs and cymbals started in unison, the Jinghu played explosive sounds, and the board drums were as fast as thunder, which heightened the oppressive feeling of the sudden black wind; when singing "Black Wind Blows", the big drum hit hard, shaking the whole audience. Hui Long + Original Ban Section: Jing Hu turns to a rough tune, paired with the suona, the tone is high and wild; when laughing wildly, the small gongs and bangu crisscross in rapid succession, showing the demonic nature. The guide starts: Mo Xuan stands in the right area of the stage, with his black robe flying, his hands spread like claws, facing the direction of Jiu Yusheng (left area), stamping on the ground, and hitting the ground with each step. Singing to "The Three Realms Will Be Bowed": He pointed his finger at the source of green dust in the center of the stage, leaned forward with an imposing manner, and swept the hem of his black robe across the ground. Original segment: Walking around Qingchenyuan, every time he sang a line, he raised his hand and waved, and the black gas special effects surged from the side of the stage; when he sang "Eternal Owl", he looked up to the sky and smiled, raising his hands above his head. When the freeze frame was reached, his face was facing the audience, showing his ferociousness. [Mo·Laosheng Xuan'a] Plate type: Laosheng Erhuang original plate to clear plate The original section: Jinghu is the main part, with three-stringed strings and sandalwood boards. The rhythm is calm and simple. When singing vigorously, the three-stringed strings are lightly plucked; when the sleeves are brushed, the sandalwood boards ring softly, showing the spirit of immortality. Clear section: Most of the instruments are removed, leaving only the soft chanting of Jinghu, and the voice gradually weakens; when the wind turns into wind, the sound effect of wind chimes is added to make it ethereal and distant. From the original board: Xuan A stands in front of the source of green dust (center of the stage), dressed in plain green robes, holding a blade of grass in his hand, his steps are slow and steady, every time he sings a line, he flicks the blade of grass, his eyes are filled with compassion. Singing to "Hearts are prone to misfortune": Turn around to face the ruined monument, raise your hands to flick your sleeves, your clothes are flying, and your body is as tall and straight as a pine tree. Clear section: Slowly walking towards the back of the stage, the pace gradually slows down, the figure gradually disappears, and the grass leaves fall; when singing "It is the pulse of the human heart that is guarded", the figure disappears completely, leaving only the sleeves fluttering in the wind and the wind chimes ringing softly. [Chou·Wen Chou Grandpa Shi] Plate type: Xipi flow The whole process is dominated by jinghu, bangu, and small gongs. The rhythm is brisk and jumping, and the tapping of wooden fish is added to add a sense of humor. When you clap your legs and laugh, the small gongs hit continuously, and when you knock the pipe, the wooden fish makes a sound, which is full of fun. When starting to sing: Grandpa Shi is standing on the side of the stage (front left), holding a cigarette bag, twirling his beard and shaking his head, his steps moving in small steps to the rhythm, his eyebrows arched. Singing to "Telling the Story": Walking to the center of the stage, pointing the pipe in the direction of Aman and Xiaotang, shaking his head in a mocking tone. Singing "Look at the ruins above": retreat to the ruins of the monument, stand leaning against the monument, tap the pipe on the monument, squint your eyes and hum the song, slap the pipe at the end, laugh out loud, and when you freeze, your eyebrows are smiling and your expression is leisurely. The theme song of "Qing Chen Shou" "Wind in the Ruins" Style: Ancient and desolate tone, the intro is blended with the sound of wind and jade breaking, the chorus is high-pitched and distant, and the outro fades away like the wind blowing through the ruins. Lyrics Verse 1 On the top of Kunlun Mountain, snow is growing and jade chips are falling all over the body The pile of green dust, the remaining inscriptions on the stele, the ink is not stained by dust Nine Corners Array, Grass and Wood Patterns, To Suppress Three-Point Arrogance Xuan A's clothes are as green as ever and have lasted for hundreds of years at dawn and dusk Verse 2 Touch the golden talisman, stain it with frost marks, knock on the door and ask for an inch The bone beads are cold, the poison is deep, and it is difficult to break the root of obsession Xiaotang Yu: Angry in Dreams, Don't Destroy the Soul in the Ruins Aman vows to die with his life and not to teach evil spirits to come close to him Chorus 1 The wind above the market blows across the mountains and sea for several miles The piety of dust-keepers cannot be blown away There is no good or evil in the world, but the human heart is divided into turbid and pure One thought becomes a devil, one thought leads to life Bridge section Black Flag Scroll, Demonic Energy, Formation Eye Burning Spiritual Root Jade fragments fly, the wind swallows, and the body turns into wild hazel Inscription on the stele Mo Shangwen Liu and later generations' discussion What is guarded is the dust, what is guarded is the heart and soul Chorus 2 The wind above the market blows through the years The sincerity of the heirs cannot be blown away The mountains are connected, and the plants and trees also know their kindness. Year after year, the market becomes dusty Final sentence (harmony fades) The complete score and arrangement of "The Wind on the Ruins" Basic genre settings Mode: D palace tune (ancient orthodox palace tune, desolate and distant, the high range is wide and suitable for the chorus) Time signature: 4/4 (Andante, ♩=72, intro gradually slows down to ♩=68, chorus rises slightly to ♩=76) Emotional context: cold and forbearing → gloomy narrative → high-pitched and sincere → desolate and relieved → long aftertaste Complete musical notation (with lyrics, digital musical notation, 1=D) Intro (8 bars, no lyrics, purely instrumental) Melody: | 3 - 5 - | 6 1' 5 - | 3 5 6 5 | 3 - - - | | 2 - 3 - | 5 6 1' 2' | 6 5 3 2 | 1 - - - || Orchestration sound effects: wilderness wind sampling, jade chime tapping (feeling of broken jade), guzheng overtones, cello long tones, no drum beats, ethereal white space Main song 1 (♩=72, gentle humming, cool voice) On the top of Kunlun Mountain, snow is growing and jade chips are falling all over the body 3 5 6 1' 6 5 3 2 3 - The pile of green dust, the remaining inscriptions on the stele, the ink is not stained by dust 2 3 5 6 5 3 2 1 2 - Nine Corners Array, Grass and Wood Patterns, To Suppress Three-Point Arrogance 3 5 6 1' 2' 1' 6 5 6 - Xuan A's clothes are as green as ever and have lasted for hundreds of years at dawn and dusk 5 6 1' 2' 3' 2' 1' 6 1' - Verse 2 (the rhythm is the same as verse 1, the mood is slightly darker, and the pronunciation is slightly heavier) Touch the golden talisman, stain it with frost marks, knock on the door and ask for an inch 3 5 6 1' 6 5 3 2 3 - The bone beads are cold, the poison is deep, and it is difficult to break the root of obsession 2 3 5 6 5 3 2 1 2 - Xiaotang Yu: Angry in Dreams, Don't Destroy the Soul in the Ruins 3 5 6 1' 2' 1' 6 5 6 - Aman vows to die with his life and not to teach evil spirits to come close to him 5 6 1' 2' 3' 2' 1' 6 1' - Chorus 1 (♩=76, the vocal range is raised, high and far-reaching, full of power) The wind above the market blows across the mountains and sea for several miles 1' 2' 3' 5' 3' 2' 1' 6 5 - The piety of dust-keepers cannot be blown away 5 6 1' 2' 3' 2' 1' 6 1' - There is no good or evil in the world, but the human heart is divided into turbid and pure 3' 5' 6' 5' 3' 2' 1' 2' - One thought becomes a devil, one thought leads to life 5' 6' 5' 3' 2' 1' 6 1' - Bridge section (tempo tightens, melody ups and downs, full of pathos, semitone progression) Black Flag Scroll, Demonic Energy, Formation Eye Burning Spiritual Root 6 1' 2' 3' 2' 1' 6 5 3 - Jade fragments fly, the wind swallows, and the body turns into wild hazel 5 6 1' 2' 3' 5' 3' 2' 1' - Inscription on the stele Mo Shangwen Liu and later generations' discussion 2' 3' 5' 6' 5' 3' 2' 1' 6 - What is guarded is the dust, what is guarded is the heart and soul 1' 2' 3' 5' 3' 2' 1' - - Chorus 2 (same melody as Chorus 1, more emotional, can add harmony) The wind above the market blows through the years 1' 2' 3' 5' 3' 2' 1' 6 5 - The sincerity of the heirs cannot be blown away 5 6 1' 2' 3' 2' 1' 6 1' - The mountains are connected, and the plants and trees also know their kindness. 3' 5' 6' 5' 3' 2' 1' 2' - Year after year, the market becomes dusty 5' 6' 5' 3' 2' 1' 6 1' - Final sentence (harmony fades, a cappella + light instrumental music, returns to the ethereal) (The harmony fades) The wind is still there, the dust is still there, and spring is born again in the ruins. 1' - 2' - 3' 2' 1' 6 5 3 2 1 - - - Ending (8 bars, same melody variation as the intro, fading to silence) Melody: | 1 - 2 - | 3 5 6 5 | 3 2 1 6 | 5 - - - | | 3 - 5 - | 6 1' 5 3 | 2 1 6 5 | 1 - - - || Orchestration: Only the sound of the wind, the single note of the guzheng, and the overtones of the cello are left. The volume decreases step by step, and finally only the sound of the wind is left blank. Arranger and Orchestrator Prelude layer (ethereal foreshadowing) Core sound effects: ambient wind sound (low wind in the wilderness, no noise), jade chime breaking sound (high frequency tap, simulates jade breaking), chime overtones Main instruments: guzheng (overtone playing method), cello (long tones and low notes), bamboo flute (airy long tones, no actual blowing) Rhythm: No percussion, all blank, highlighting the feeling of loneliness and desolation Main song layer (gentle narrative, vocal-led) Core instruments: Zhong Ruan (plucked main melody, warm and low), Xiao (interlude filling, light blowing), bass zither (broken chords) Auxiliary: slight tambourine (muffled, 1 beat per measure, weak intensity), suede drum (very weak bass drum, does not steal the vocals) Processing: Lower the volume of musical instruments, increase the proportion of dry vocals, enunciate clearly, and create a monologue feeling Chorus layer (high-pitched and open, with full layers) Core instruments: bamboo flute (actual playing of the main melody, high-pitched and long-lasting), erhu (string harmony, full of emotions), dulcimer (quick decomposition of chords) String section: violin + viola + cello playing in unison, widening the sound field Percussion: Chinese bass drum (heavy beat and weak attack), cymbals (light rub, embellishment of climax) Processing: Increase the overall volume of the track, add reverb (hall reverb, simulate the sense of openness in the wilderness), and add two-part harmony to the second chorus Bridge layer (tragic and ups and downs, full of tension) Core instruments: suona (light blowing, not sharp, creating a sense of tragedy), guqin (scattered tones + pressed tones, thick and low), chimes (accent embellishment) Percussion: Chinese Paigu (intensive rhythm, heightening the sense of tension), Bass Drum (heavy beat and strong attack) Processing: The rhythm of the melody is tightened, the density of instruments is increased, creating a tragic feeling of "sacrifice oneself", the last sentence suddenly ends weakly, and connects to the chorus Ending sentence + ending layer (fading away, letting go, returning to the true nature) Core instruments: only the guzheng single tone, jade chime, and cello overtones are retained Sound effect: The sound of wind gradually weakens, and finally only a very light sound of wind is left. Processing: The vocal harmonies fade out layer by layer, and the last line is sung a cappella to end. There are no unnecessary instruments, which fits the setting of "Russian wind blowing". The main song is sung in a low-pitched manner, with a cool and restrained voice, and a soft enunciation of the words, which fits the forbearance of "a hundred years of keeping dust", and the breath is smooth and long. Chorus singing: Open the cavity, raise the vocal range, and have sufficient breath support to sing a high-pitched and distant texture. The second chorus adds male and female harmonies to enhance the sense of heaviness. Singing in the bridge section: the emotion reaches the peak gradually, with strong articulation and a slight vibrato at the end, which deduce the tragic and solemn feeling of "burning the spiritual roots and turning the wild hazel". Finally, "the heart and soul are guarded" is weak and the breath slows down. The last line is sung: a combination of soft voice and breathy voice, the harmony gradually weakens, the last word is prolonged and fades out, blends with the sound of the wind, and the aftertaste lingers. Editor/Starring: Xie Qiuyun