This article is also called "Borrowing the East Wind"
As the daughter of the eldest princess, she had been living in the countryside for ten years, but was found when she was about to get married. She had only one purpose, and that was to get married.
Fleur knew that she was just a female supporting character. She knew that she had stepped into a novel since the death of the original owner when she was six years old.
At this time, the eldest princess had been assassinated, the emperor was safe, and so was the consort.
Ten years later, when the time came for the marriage, the emperor suddenly found her, gave her the title of Princess Yizhu, and eagerly wanted to send her to the enemy country for marriage.
Her engagement was replaced by her younger sister, her fiancé and her disliked each other, her father traded her for glory, and the monarch traded her for peace. In the past, she was full of benevolence, justice, and morality, but in the end, she was the only one in the world.
The damned, sit in the court; the capable, relegated to the inner chamber; the spineless, sharp-tongued; the unyielding, forced to remain silent.
Fleur calmly looked at their ugly faces and picked up the knife.
She didn't want to marry, so they forced her to say: "It's just a girl."
She resisted and they scorned: "Just a woman!"
She held the knife, and they were shocked and angry: "It's just a woman!"
Furong: What's wrong, everyone? You haven't laughed since I took the knife.
She has no intention of subverting, she just lends them the east wind to make them thrive in the storm.
(This article is paused. It has been revised many times during the serialization period, but it was always not right and I had no choice but to put it aside.)
Highlight: The heroine is a powerful monster, has golden fingers, is a heartthrob, and is uniquely beautiful.
Concept: A woman's power to say no