[Comprehensive Comics + British and American] into the Picture

——The mountains are not mountains, and the water is not water. What choices do you make when you draw? "I've been here, I've seen it." The dark-haired man raised his hand to write, and the dark marks obscured the mountains and rivers in the painting. "I experience, I taste." The silver-haired man lifted his temples, and his wanton smile stained this fictional video. "If you ask me, this is a wonderful adventure, a trip that makes people want to linger." The hooded figure reaches out toward the finish line, a silent invitation to those beyond the canvas. "Do you want to come and see?" Along the way, she met people who were attacked on both sides and struggled to get out of the cracks. She met people who knew that the road ahead was doomed to be dark but still fought for their unattainable dreams; She stayed in front of the splendid and solemn palace, and the wind told her the tragic songs of fighting against the gods; He stopped in the bustling street, and the sky told him the epic story of humans and gods side by side. ——This is a record that belongs exclusively to him/her. ——It is far from ending here. "You will witness, you should witness until my last moment." She/he said to the outsider. "As for my words... As you can see, I am just a person in the painting." The Cp has not been determined, so whatever you write down counts. Although the copywriting looks serious, it is actually a relaxed and everyday article (...) The parts that are inconsistent with the original work are all secondary designs, so I don't like to make mistakes. Intention: from bystander to participant in history