From that day on, Ping An never celebrated another birthday. It was also from that day that Ping An met a little girl.
The channels of the soul are mutual,
There is warmth in our palms,
But whose palm is it?
But does it matter?
It's not important,
What's important is that
we each other,
Feel each other's warmth.
Warm,
coldly,
Pretty good.
What I want is simple,
I just want to find someone who doesn't happen to like me,
And I don't happen to like her either,
If you can.
I hope he is,
Simply,
Luo Luo generous.
Well,,, I hope,
Always hoping.
That's it,
That's all.
Intention: I liked this story, so I wrote it down.
Reader comments
It's a bit outrageous (no malicious intent, just my feeling after watching the whole thing)
I feel that the character Ping'an is very contradictory and a bit out of character. At first, based on the description, I felt that he was a bit disgusted with Shi Jing, and his material conditions were good. But I find it very contradictory because he is always close to the heroine from behind, lying on the same bed, serving food, eating, holding hands, and sharing tableware. Because generally speaking, the enemy's daughter is disgusted (I can understand that the enemy is not the female protagonist, so there is no extra emotion, and even though it is not the biological child, that is a later story, and the male protagonist's perspective is only known later.) But since he is rich, why can't he find a hotel and go to the female protagonist's house at dawn, or go to the hotel after meeting her mother. On the first night, I slept in the same bed with my enemy's daughter, and later it revolved around the heroine. When I watched it, I felt that the plot was very fragmented. I felt that it was only written to describe the relationship between the two of them, and to serve the plot. Since you think there is something fishy about the case, shouldn't you keep investigating the case? Instead of delivering meals all the time, and the case was not clearly written, shouldn't Ping An pay attention to the mystery of the two children?
In terms of emotions, just looking at the catalog, I thought the male protagonist regarded the female protagonist as his sister and was with Xiaolin. It shows an emotional change of treating the enemy's daughter as a sister, or like the introduction, it shows the warmth of two lonely souls. But if you look closely, it's a bit contrary to the ordinary world. The female protagonist knows that the male protagonist has a partner, but she still keeps overstepping. I can understand the emotion that the female protagonist likes the male protagonist. I think she likes it from the beginning or likes it in the process. But they all appear as third parties.
There are many subtle descriptions, and I feel that the male and female protagonists have feelings for each other. But the male protagonist obviously has a partner but does not restrain himself. They share the same bed in the ward. I can understand her amnesia for a period of time, but I always feel that she did not lose her memory, or that period was very short. I can understand the girl's episode a little bit. But for boys, for example, sleeping together and sharing tableware, they are definitely not treated like sisters. This will never be the case between brothers and sisters. This is already a relatively intimate behavior. But then I went to the male protagonist's house and slept together. I didn't think that the relationship between them was brother and sister, but an ambiguous relationship, which was expressed in a subtle way, but it was not revealed. But he didn't clearly resolve the previous relationship, and he was in another relationship, which I felt was cheating.
And when it was written that Xiaolin was the girl when she was a child, the bracelet was a clue, so I always thought that they were still together in the end. But then the heroine kissed the hero's chin. This was actually a straightforward description, clarifying their emotions, so the hero didn't push her away or refuse. I think he had accepted the heroine's emotions. Or he is a weak person in two relationships who refuses neither side.
I think the first clue is to write about the case, but I feel that 90% of the book is about the emotions of the male and female protagonists. In the middle, I think there are a lot of details that are a bit problematic and I didn't fill them in. Why did the heroine's three family members die? If they were killed by the little boy she had a crush on, I would understand, but I have always been confused. The emotional ending between the three people is 100% not brother and sister. In the end, his parents' emotions were hastily written in both directions, and it was obvious that his father liked it. But the moment I said yes, it was very sudden and I agreed without any process. I felt like I needed to make a transition. There are still some that I can't remember, but overall, that's all for now.
If you mainly write about the emotions of Ping An and Shi Jing in this book, I think you should write more about the male protagonist in a situation, because many of them show the female protagonist, and the male protagonist has a kind of neither clarifying nor rejecting, which is very scumbag. From the beginning, I felt that the story line was written from the perspective of the male protagonist as he "solved the case" + emotions. But mostly I feel that simply writing about Shi Jing's personal experience weakens the male protagonist, and the entire story line is not complete without her.
Maybe that's not what you want to express, but from a reader's perspective, I really think there are a lot of contradictions, maybe a bit rude, I hope you don't mind!
՞˶･֊･˶՞
It's a bit outrageous (no malicious intent, just my feeling after watching the whole thing) I feel that the character Ping'an is very contradictory and a bit out of character. At first, based on the description, I felt that he was a bit disgusted with Shi Jing, and his material conditions were good. But I find it very contradictory because he is always close to the heroine from behind, lying on the same bed, serving food, eating, holding hands, and sharing tableware. Because generally speaking, the enemy's daughter is disgusted (I can understand that the enemy is not the female protagonist, so there is no extra emotion, and even though it is not the biological child, that is a later story, and the male protagonist's perspective is only known later.) But since he is rich, why can't he find a hotel and go to the female protagonist's house at dawn, or go to the hotel after meeting her mother. On the first night, I slept in the same bed with my enemy's daughter, and later it revolved around the heroine. When I watched it, I felt that the plot was very fragmented. I felt that it was only written to describe the relationship between the two of them, and to serve the plot. Since you think there is something fishy about the case, shouldn't you keep investigating the case? Instead of delivering meals all the time, and the case was not clearly written, shouldn't Ping An pay attention to the mystery of the two children? In terms of emotions, just looking at the catalog, I thought the male protagonist regarded the female protagonist as his sister and was with Xiaolin. It shows an emotional change of treating the enemy's daughter as a sister, or like the introduction, it shows the warmth of two lonely souls. But if you look closely, it's a bit contrary to the ordinary world. The female protagonist knows that the male protagonist has a partner, but she still keeps overstepping. I can understand the emotion that the female protagonist likes the male protagonist. I think she likes it from the beginning or likes it in the process. But they all appear as third parties. There are many subtle descriptions, and I feel that the male and female protagonists have feelings for each other. But the male protagonist obviously has a partner but does not restrain himself. They share the same bed in the ward. I can understand her amnesia for a period of time, but I always feel that she did not lose her memory, or that period was very short. I can understand the girl's episode a little bit. But for boys, for example, sleeping together and sharing tableware, they are definitely not treated like sisters. This will never be the case between brothers and sisters. This is already a relatively intimate behavior. But then I went to the male protagonist's house and slept together. I didn't think that the relationship between them was brother and sister, but an ambiguous relationship, which was expressed in a subtle way, but it was not revealed. But he didn't clearly resolve the previous relationship, and he was in another relationship, which I felt was cheating. And when it was written that Xiaolin was the girl when she was a child, the bracelet was a clue, so I always thought that they were still together in the end. But then the heroine kissed the hero's chin. This was actually a straightforward description, clarifying their emotions, so the hero didn't push her away or refuse. I think he had accepted the heroine's emotions. Or he is a weak person in two relationships who refuses neither side. I think the first clue is to write about the case, but I feel that 90% of the book is about the emotions of the male and female protagonists. In the middle, I think there are a lot of details that are a bit problematic and I didn't fill them in. Why did the heroine's three family members die? If they were killed by the little boy she had a crush on, I would understand, but I have always been confused. The emotional ending between the three people is 100% not brother and sister. In the end, his parents' emotions were hastily written in both directions, and it was obvious that his father liked it. But the moment I said yes, it was very sudden and I agreed without any process. I felt like I needed to make a transition. There are still some that I can't remember, but overall, that's all for now. If you mainly write about the emotions of Ping An and Shi Jing in this book, I think you should write more about the male protagonist in a situation, because many of them show the female protagonist, and the male protagonist has a kind of neither clarifying nor rejecting, which is very scumbag. From the beginning, I felt that the story line was written from the perspective of the male protagonist as he "solved the case" + emotions. But mostly I feel that simply writing about Shi Jing's personal experience weakens the male protagonist, and the entire story line is not complete without her. Maybe that's not what you want to express, but from a reader's perspective, I really think there are a lot of contradictions, maybe a bit rude, I hope you don't mind! ՞˶･֊･˶՞